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Saint Jerome in the Wilderness

Saint Jerome in the Wilderness (between 1645 and 1685)

Follower of Jusepe de Ribera (Spanish, 1591-1652)
En La Calle (Street Scene)

En La Calle (Street Scene)

José García Ramos (Spanish, 1852-1912)
Playing the Guitar

Playing the Guitar (c. 1889)

Joaquín Sorolla (Spanish, 1863 – 1923)
Maja and Bullfighter

Maja and Bullfighter (1838)

Joaquín Domínguez Bécquer (Spanish, 1819-1879)
Clotilde, Marquessa de Acricollar

Clotilde, Marquessa de Acricollar (1892)

Raimundo de Madrazo y Garreta (Spanish, 1841 - 1920)
Mujer mora.

Mujer mora. (from 1911 until 1912)

Francisco Iturrino (Spanish, 1864-1924)
Jeune Assis À Table Face À Une Tasse

Jeune Assis À Table Face À Une Tasse

María Blanchard (Spanish, 1881 – 1932)
Portrait of Señora de Urcola wearing a black mantilla

Portrait of Señora de Urcola wearing a black mantilla (1909)

Joaquín Sorolla (Spanish, 1863 – 1923)
Canal in Venice

Canal in Venice (1880s)

Martin Rico y Ortega (Spanish, 1833-1908)
Saint Lucy

Saint Lucy (c. 1473)

Francesco del Cossa (Spanish, 1430-1477)
Study of a Woman and Children

Study of a Woman and Children (circa 1883)

Santiago Rusiñol (Spanish, 1861 – 1931)
Without Commending Himself either to God or the Devil [Clear Folly] (Sin Recomendarse a Dios ni al Diablo [Disparate Claro])

Without Commending Himself either to God or the Devil [Clear Folly] (Sin Recomendarse a Dios ni al Diablo [Disparate Claro]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
In The Harbor

In The Harbor

Blas Olleros y Quintana (Spanish, 1851-1919)
The Last Supper

The Last Supper

Circle of Pablo de Céspedes (Spanish, 1538-1608)
Moroccan Horse

Moroccan Horse (c. 1862)

Mariano Fortuny Marsal (Spanish, 1838 – 1874)
A Woman Standing Before A Musical Group

A Woman Standing Before A Musical Group

Leonardo Alenza y Nieto (Spanish, 1807-1845)
Sorrow

Sorrow (1876)

Joaquim Vayreda (Spanish, 1843 – 1894)
Two women helping a confessor to climb through a window

Two women helping a confessor to climb through a window (1796–1798)

Francisco de Goya (Spanish, 1746 - 1828)
A QUIET STRETCH OF RIVER

A QUIET STRETCH OF RIVER

Emilio Sánchez-Perrier (Spanish, 1855-1907)
A Sevillian Alley

A Sevillian Alley (1896)

Manuel García y Rodríguez (Spanish, 1863-1925)
Mejor es holgar. (It is better to be lazy.)

Mejor es holgar. (It is better to be lazy.) (1796-1797)

Francisco de Goya (Spanish, 1746 - 1828)
Apocalyptic Virgin and Saint Vincent Ferrer with two Donors

Apocalyptic Virgin and Saint Vincent Ferrer with two Donors (circa 1456)

Pedro García de Benavarre (Spanish, active 1445-1485)
Quien lo creyera! (Who would have thought it!)

Quien lo creyera! (Who would have thought it!) (1796-1797)

Francisco de Goya (Spanish, 1746 - 1828)
La Rivière, Environs de Santiponce

La Rivière, Environs de Santiponce

Emilio Sánchez-Perrier (Spanish, 1855-1907)
Summer Days

Summer Days (c. 1885)

Vicente Palmaroli y González (Spanish, 1834 – 1896)
In the artist’s studio

In the artist’s studio (1903)

Joaquín González Ibaseta (Spanish, 1855-1925)
The Prodigal Son Feasting

The Prodigal Son Feasting (1660s)

Bartolomé Estebán Murillo (Spanish, 1617-1682)
Pau Font de Rubinat

Pau Font de Rubinat (1902)

Alexandre de Riquer (Spanish, 1856 - 1920)
The Conversion and Baptism of St. Augustine by St. Ambrose

The Conversion and Baptism of St. Augustine by St. Ambrose (1673)

Juan de Valdés Leal (Spanish, 1622-1690)
Pitcher Woman

Pitcher Woman (1906)

Isidre Nonell (Spanish, 1872 – 1911)