Art that does not attempt to represent an accurate depiction of a visual reality but instead use shapes, colours, forms and gestural marks to achieve its effect

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Military Symbols 1 (circa 1913 –14)

Marsden Hartley (American, 1877-1943)

Suprematism (formerly) Abstraction (1921)

Alexander Drewin (Latvian, 1889 – 1938)

Growth of the Circle (formerly, Composition II) (1915)

Georg Muche (German, 1895 – 1987)

Polyphonic Architecture (1930)

Paul Klee (German, 1879 - 1940)

Clarification (1932)

Paul Klee (German, 1879 - 1940)

Petrusjka (1948)

Jakob Weidemann (Norwegian, 1923–2001)

Area Broken by Perpendiculars (ca. 1934)

Joseph Schillinger (American, 1895 – 1943)

Gebet II (1913)

Kazimir Malevich (Russian, 1879 – 1935)

Propaganda Stand (Workers of the World Unite) (1922)

Gustav Klutsis (Latvian, 1895 – 1938)

House under construction (1915)

Kazimir Malevich (Russian, 1879 – 1935)

Time (1929)

Georges Valmier (French, 1885 – 1937)

Small Picture of Fir Trees (1922)

Paul Klee (German, 1879 - 1940)

Castle Garden (1919)

Paul Klee (German, 1879 - 1940)

Ringing (1928)

Paul Klee (German, 1879 - 1940)

Composition Abstraite (1936-38)

Otto Freundlich (German, 1878-1943)

Altarpiece No. 1 Group X (1915)

Hilma af Klint (Swedish, 1862 – 1944)

Blauer Kreis No. 2 (Cercle Bleu Ii) (1925)

Wassily Kandinsky (Russian, 1866 - 1944)

Stålarbeideren (1948)

Jakob Weidemann (Norwegian, 1923–2001)

Black Circle (1916)

Kazimir Malevich (Russian, 1879 – 1935)

Föhn im Marc’schen Garten (1915)

Paul Klee (German, 1879 - 1940)

Trellis-work Design (1815–22)

Anonymous

Old sound (1925)

Paul Klee (German, 1879 - 1940)

Vertical-Horizontal Composition (1928)

Sophie Taeuber-Arp (Swiss, 1889-1943)

Black and White Collage (1913)

Georges Braque (French, 1882 – 1963)

In Memoriam (1919)

Jacques Villon (French, 1875 - 1963)