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The Proverbs

Author(s): Francisco de Goya Publication Info: Spain, Francisco de Goya, 1799

18 items

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Renounce the Friend Who Covers You with His Beak [Flying Folly] (Reniego al Amigo Que Cubre con las Alas y Muerde con el Pico [Disparate Volante])

Renounce the Friend Who Covers You with His Beak [Flying Folly] (Reniego al Amigo Que Cubre con las Alas y Muerde con el Pico [Disparate Volante]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
Wounds Heal Quicker than Hasty Words (Sanas Cuchilladas Mas No Malas Palabras)

Wounds Heal Quicker than Hasty Words (Sanas Cuchilladas Mas No Malas Palabras) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
Without Commending Himself either to God or the Devil [Clear Folly] (Sin Recomendarse a Dios ni al Diablo [Disparate Claro])

Without Commending Himself either to God or the Devil [Clear Folly] (Sin Recomendarse a Dios ni al Diablo [Disparate Claro]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
Where There’s a Will There’s a Way [A Way of Flying] (Donde Hay Ganas Hay Maña [Modo de Volar])

Where There’s a Will There’s a Way [A Way of Flying] (Donde Hay Ganas Hay Maña [Modo de Volar]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
Two Heads Are Better Than One [Poor Folly] (Disparate Pobre)

Two Heads Are Better Than One [Poor Folly] (Disparate Pobre) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
To Go amongst the Branches, i.e. To Talk through One’s Hat [Ridiculous Folly] (Andarse por las Ramas [Disparate Ridiculo])

To Go amongst the Branches, i.e. To Talk through One’s Hat [Ridiculous Folly] (Andarse por las Ramas [Disparate Ridiculo]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
There Is Something beneath the Sackcloth, i.e. You Can’t Judge a Man by His Clothes [The Men in Sacks] (So El Sayal, Hay Al [Los Enscacados])

There Is Something beneath the Sackcloth, i.e. You Can’t Judge a Man by His Clothes [The Men in Sacks] (So El Sayal, Hay Al [Los Enscacados]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
The Claws of a Cat and the Dress of a Devotee-Similar to Vice Is Often Clothed in Virtue’s Habit [General Folly] (Unas de Gato y Habito de Beato [Disparate General])

The Claws of a Cat and the Dress of a Devotee-Similar to Vice Is Often Clothed in Virtue’s Habit [General Folly] (Unas de Gato y Habito de Beato [Disparate General]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
She Who Is Ill Wed Never Misses a Chance to Say So [Disorderly Folly] (La Que Mal Marida Nunca le Falta Que Diga [Disparate Disordenado] [Disparate Matrimonial])

She Who Is Ill Wed Never Misses a Chance to Say So [Disorderly Folly] (La Que Mal Marida Nunca le Falta Que Diga [Disparate Disordenado] [Disparate Matrimonial]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
A Woman and a Horse, Let Someone Else Master Them [The Horse-Abductor] (La Mujer y el Potro, Que los Dome Otro [El Caballo Raptor])

A Woman and a Horse, Let Someone Else Master Them [The Horse-Abductor] (La Mujer y el Potro, Que los Dome Otro [El Caballo Raptor]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
Rejoice, Carnival, for Tomorrow Thou Wilt Be Ashes [Carnival Folly] (Alegrias Antruejo, que Mañana Seras Ceniza [Disparate de Carnabal])

Rejoice, Carnival, for Tomorrow Thou Wilt Be Ashes [Carnival Folly] (Alegrias Antruejo, que Mañana Seras Ceniza [Disparate de Carnabal]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
It Is Amazing-And We Were Made by God [Furious Folly] (Hizonos Dios y Maravillamos Nos [Disparate Furioso])

It Is Amazing-And We Were Made by God [Furious Folly] (Hizonos Dios y Maravillamos Nos [Disparate Furioso]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
If Marion Will Dance, then She Will Have to Take the Consequences (Si Marina Bayló, Tome lo Que Halló)

If Marion Will Dance, then She Will Have to Take the Consequences (Si Marina Bayló, Tome lo Que Halló) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
Heavier Than a Dead Donkey (Pesa Mas Que un Burro Muerto)

Heavier Than a Dead Donkey (Pesa Mas Que un Burro Muerto) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
He Who Does Not Like Thee Will Defame Thee in Jest [Loyalty] (El Que No Te Ama, Burlando te Difama [La Lealtad])

He Who Does Not Like Thee Will Defame Thee in Jest [Loyalty] (El Que No Te Ama, Burlando te Difama [La Lealtad]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
God Creates Them and They Join up Together (Dios los Cria y Ellos Se Juntan)

God Creates Them and They Join up Together (Dios los Cria y Ellos Se Juntan) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
Do Not Lose Honour through Fear [Folly of Fear] (Por Temor No Pierdas Honor [Disparate de Miedo])

Do Not Lose Honour through Fear [Folly of Fear] (Por Temor No Pierdas Honor [Disparate de Miedo]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration
After Vice Comes Fornication [Simpleton] (Tras el Vicio Viene el Fornicio [Bobalicón])

After Vice Comes Fornication [Simpleton] (Tras el Vicio Viene el Fornicio [Bobalicón]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
Illustration

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