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Rules and examples of perspective, proper for painters and architects, etc
Author(s):
Andrea Pozzo
Publication Info:
London, Benj. Motte, 1707
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The plan of the sixty-seventh figure in perspective, and third preparation to the seventy-first figure. (1707)
Andrea Pozzo
(Italian, 1642-1709)
Illustration
The plans of an octangular tabernacle. (1707)
Andrea Pozzo
(Italian, 1642-1709)
Illustration
The preparation necessary to the following figure, and to all other horizontal perspectives, whether on flat or vaulted ceilings. (1707)
Andrea Pozzo
(Italian, 1642-1709)
Illustration
The projection of a Dorick capital, in perspective. (1707)
Andrea Pozzo
(Italian, 1642-1709)
Illustration
The projection of a pedestal in perspective. (1707)
Andrea Pozzo
(Italian, 1642-1709)
Illustration
The projection of a pedestal, of the composite order, in perspective. (1707)
Andrea Pozzo
(Italian, 1642-1709)
Illustration
The rough draught of the following figure (1707)
Andrea Pozzo
(Italian, 1642-1709)
Illustration
The section of profile of scenes for theaters. (1707)
Andrea Pozzo
(Italian, 1642-1709)
Illustration
The Tuscan base in perspective (1707)
Andrea Pozzo
(Italian, 1642-1709)
Illustration
The Tuscan capital in perspective. (1707)
Andrea Pozzo
(Italian, 1642-1709)
Illustration
The Tuscan entablature in perspective (1707)
Andrea Pozzo
(Italian, 1642-1709)
Illustration
Three different ways of delineating wreath’d columns. (1707)
Andrea Pozzo
(Italian, 1642-1709)
Illustration
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