Rules and examples of perspective, proper for painters and architects, etc

The geometrical elevation of the foregoing design.

The geometrical elevation of the foregoing plan, and second preparation to the seventy-first figure.

The geometrical plan of a design, of the Dorick order.

The geometrical plan of the church of S. Ignatius at Rome

The geometrical plan, and first preparation to the seventy-first figure.

The geometrical upright of the foregoing Ionick design.

The horizontal projection of a shaded corbel.

The horizontal projection of the ballustrade of the eighty-seventh figure, view&#8217;d at a small distance.

The Ionick base in perspective.

The Ionick capital in perspective.

The Ionick pedestal in perspective; with the manner of avoiding confusion, in elevations.

The manner of avoiding confusion, in reducing plans and elevations into perspective.

The manner of delineating the designs of scenes.

The manner of designing in perspective, without occult lines.

The manner of erecting machines, that consist of several ranges of frames.

The manner of making the net-work or squares, and painting the scenes of theaters.

The method of drawing the net of lattice-work on vaults.

The optical delineation of a square.

The optick projection of a Corinthian cornice, with the capital and part of the column.

The orders of architecture, taken from Palladio and Scamozzi.

The orthography, or geometrical elevation of the inside of S. Ignatius&#8217;s church.

The other half of the same design.

The perspective of the elevation of the sixty-eighth figure, and the fourth preparation to the seventy-first figure.

The perspective plans and upright of the Corinthian design foregoing.

The plan and elevation of a corbel in perspective.

The plan of a circular work in perspective.

The plan of a design of the Corinthian order.

The plan of a square design.

The plan of an Ionick building.

The plan of the fortieth figure in perspective.