Rules and examples of perspective, proper for painters and architects, etc

Manner of delineating a square in perspective.

Of horizontal perspective

Of making the net-work on frames, for representing the architecture as solid.

Of scenes for the stage.

One half of the Dorick design in perspective.

Other preparations to the ninety-eighth and ninety-ninth figures.

Other preparations to the ninety-eighth and ninety-ninth figures

Part of an octangular work of the Corinthian order.

Plans of squares, with their elevations.

Pozzo&#8217;s architecture in perspective

Preparatory to the following figure

Preparatory to the thirty-fifth. [Outline and perspective lines.]

Preparatory to the thirty-ninth. [Outline and perspective lines.]

Preparatory to the thirty-seventh. [Outline and perspective lines.]

Rules and examples of perspective, proper for painters and architects, etc &#8211; Frontispiece

The architecture of Vignola in perspective; and first, of the pedestal of the Tuscan order.

The attick base in perspective.

The composite capital in perspective

The Corinthian base in perspective.

The Corinthian capital in perspective

The Corinthian pedestal, with its pilasters, in perspectives.

The cupola of the ninetieth figure, with its lights and shades

The delineation of an oblong square in perspective.

The description of a wreath&#8217;d column, of the composite order.

The Dorick base in perspective.

The Dorick entablature in perspective

The elevation of scenes in front, and how the oblique scenes are made to appear direct.

The elevation of the forty-first figure in perspective.

The geometrical design of a cornice, of the composite order.

The geometrical elevation of a Corinthian work.