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Rules and examples of perspective, proper for painters and architects, etc

Author(s): Andrea Pozzo Publication Info: London, Benj. Motte, 1707

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Rules and examples of perspective, proper for painters and architects, etc – Title Page

Rules and examples of perspective, proper for painters and architects, etc – Title Page (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A circular design in perspective.

A circular design in perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A column in horizontal perspective.

A column in horizontal perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A column in perspective

A column in perspective (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A Corinthian capital horizontally contracted in perspective.

A Corinthian capital horizontally contracted in perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A Corinthian column in horizontal perspective.

A Corinthian column in horizontal perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A Corinthian cornice in horizontal perspective.

A Corinthian cornice in horizontal perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A Corinthian cornice.

A Corinthian cornice. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A Corinthian design in perspective

A Corinthian design in perspective (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A cupola in horizontal perspective

A cupola in horizontal perspective (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A design of Ionick architecture

A design of Ionick architecture (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A Dorick pedestal in perspective; with the manner of avoiding confusion, in designing the plans.

A Dorick pedestal in perspective; with the manner of avoiding confusion, in designing the plans. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A fourth part of the architectonical design, painted on the vault of S. Ignatius’s church; with its lights and shadows.

A fourth part of the architectonical design, painted on the vault of S. Ignatius’s church; with its lights and shadows. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A piece of Dorick architecture in perspective.

A piece of Dorick architecture in perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A projection of the Dorick order in perspective.

A projection of the Dorick order in perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A side-view of the composite cornice, in perspective.

A side-view of the composite cornice, in perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A square design in perspective.

A square design in perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
A Tuscan column in perspective.

A Tuscan column in perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
An horizontal projection of architecture in a square ceiling

An horizontal projection of architecture in a square ceiling (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
An Ionick work in perspective; with the manner of reconciling the fictitious to the solid architecture.

An Ionick work in perspective; with the manner of reconciling the fictitious to the solid architecture. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
An octangular cupola

An octangular cupola (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
An octangular tabernacle in perspective.

An octangular tabernacle in perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
Another example of a geometrical plan and upright, put in perspective.

Another example of a geometrical plan and upright, put in perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
Another plan of a theater, with the method of finding the point of sight therein.

Another plan of a theater, with the method of finding the point of sight therein. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
Another preparation to the ninety-eighth and ninety-ninth figures.

Another preparation to the ninety-eighth and ninety-ninth figures. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
Another quarter of the whole design.

Another quarter of the whole design. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
Circles in perspective

Circles in perspective (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
Corinthian pedestals in an horizontal perspective.

Corinthian pedestals in an horizontal perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
Elevation of the Ionick design in perspective.

Elevation of the Ionick design in perspective. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
Explication of the lines of the plan and horizon, and of the points of the eye and of the distance.

Explication of the lines of the plan and horizon, and of the points of the eye and of the distance. (1707)

Andrea Pozzo (Italian, 1642-1709)
Illustration
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