71 items

Show 30 50 70
Sheep at a gap

Sheep at a gap (1846-1847)

John Doyle (Irish, 1797 – 1868)
The drill. ‘Dismiss’ – ‘as you were’ (steady there in the rear rank.)

The drill. ‘Dismiss’ – ‘as you were’ (steady there in the rear rank.) (1846-1847)

John Doyle (Irish, 1797 – 1868)
The confessional

The confessional (1846-1847)

John Doyle (Irish, 1797 – 1868)
The centaur Nessus carrying off Deianira. Suggested by the well known Picture by Guido

The centaur Nessus carrying off Deianira. Suggested by the well known Picture by Guido (1847-1847)

John Doyle (Irish, 1797 – 1868)
Telemachus & Mentor

Telemachus & Mentor (1847-1847)

John Doyle (Irish, 1797 – 1868)
Tancred entering the enchanted forest. Vide ‘Jerusalem Delivered’. Canto XIII

Tancred entering the enchanted forest. Vide ‘Jerusalem Delivered’. Canto XIII (1847-1847)

John Doyle (Irish, 1797 – 1868)
Sparring. A Set to, without the Gloves, by the way of Wind-up!

Sparring. A Set to, without the Gloves, by the way of Wind-up! (1846-1847)

John Doyle (Irish, 1797 – 1868)
‘Soirées mysterieuses’. Wonderful performance at St. Stephen’s theatre

‘Soirées mysterieuses’. Wonderful performance at St. Stephen’s theatre (1845-1847)

John Doyle (Irish, 1797 – 1868)
Small insinuations

Small insinuations (1845-1847)

John Doyle (Irish, 1797 – 1868)
The Fates

The Fates (1847-1847)

John Doyle (Irish, 1797 – 1868)
Sailing before the wind, With Breakers ahead. A narrow escape

Sailing before the wind, With Breakers ahead. A narrow escape (1846-1847)

John Doyle (Irish, 1797 – 1868)
Sad occurence near Exeter. A bishop tossed by a bull, and worried by a martin!

Sad occurence near Exeter. A bishop tossed by a bull, and worried by a martin! (1845-1847)

John Doyle (Irish, 1797 – 1868)
Rather sharp practice in diplomacy, Or a curious illustration of the ‘Entente Cordiale’

Rather sharp practice in diplomacy, Or a curious illustration of the ‘Entente Cordiale’ (1847-1847)

John Doyle (Irish, 1797 – 1868)
Poking the old lion

Poking the old lion (1847-1847)

John Doyle (Irish, 1797 – 1868)
Perseus flying to the rescue of Andromeda

Perseus flying to the rescue of Andromeda (1847-1847)

John Doyle (Irish, 1797 – 1868)
‘Open locks, whoever knocks.’ Witches’ Scene from Macbeth; with a New Cast of Characters

‘Open locks, whoever knocks.’ Witches’ Scene from Macbeth; with a New Cast of Characters (1847)

John Doyle (Irish, 1797 – 1868)
‘Not caught yet.’ After E. Landseer’s admired Picture

‘Not caught yet.’ After E. Landseer’s admired Picture (1845-1847)

John Doyle (Irish, 1797 – 1868)
Not altogether out of place

Not altogether out of place (1844-1847)

John Doyle (Irish, 1797 – 1868)
‘The travelled monkey.’ Copied with with great freedom from Edwin Landseer’s inimitable picture

‘The travelled monkey.’ Copied with with great freedom from Edwin Landseer’s inimitable picture (1844-1847)

John Doyle (Irish, 1797 – 1868)
Valentine & Orson

Valentine & Orson (1845-1847)

John Doyle (Irish, 1797 – 1868)
Two penitents kneeling at the same shrine

Two penitents kneeling at the same shrine (1845-1847)

John Doyle (Irish, 1797 – 1868)
Two great pillars of the Church

Two great pillars of the Church (1845-1847)

John Doyle (Irish, 1797 – 1868)
The wren, the wren! Is the king of all birds!

The wren, the wren! Is the king of all birds! (1845-1847)

John Doyle (Irish, 1797 – 1868)
The ultimate or crowning triump of The New Christo-Judean creed! (of the pure Caucasian race)

The ultimate or crowning triump of The New Christo-Judean creed! (of the pure Caucasian race) (1844-1847)

John Doyle (Irish, 1797 – 1868)
The troubadour, or A flirtation between the chivalry of Oxford & the beauty of young England

The troubadour, or A flirtation between the chivalry of Oxford & the beauty of young England (1845-1847)

John Doyle (Irish, 1797 – 1868)
The Trojans petition Dido for ‘protection’

The Trojans petition Dido for ‘protection’ (1846-1847)

John Doyle (Irish, 1797 – 1868)
The treaty between the sheep and the wolves. After ‘Les Loups et les Brevis’ of Granville

The treaty between the sheep and the wolves. After ‘Les Loups et les Brevis’ of Granville (1844-1847)

John Doyle (Irish, 1797 – 1868)
Mock heroics. A scene from Macbeth dreadfully burlesqued

Mock heroics. A scene from Macbeth dreadfully burlesqued (1845-1847)

John Doyle (Irish, 1797 – 1868)
The seven bold Swabians; – who sallied forth with one spear

The seven bold Swabians; – who sallied forth with one spear (1847-1847)

John Doyle (Irish, 1797 – 1868)
The ‘pas de facination’ (from the ballet of Alma) As lately performed by Her Majesty’s servants

The ‘pas de facination’ (from the ballet of Alma) As lately performed by Her Majesty’s servants (1844-1847)

John Doyle (Irish, 1797 – 1868)