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Hogarth Making up a Portrait of H. Fielding, for a Bookseller..

Hogarth Making up a Portrait of H. Fielding, for a Bookseller.. (1817)

John Thomas Smith (English, 1766–1833)
The Smock Exposed

The Smock Exposed (1817)

John Thomas Smith (English, 1766–1833)
The Reconcilation

The Reconcilation (1817)

John Thomas Smith (English, 1766–1833)
The Eleventh Hour

The Eleventh Hour (1817)

John Thomas Smith (English, 1766–1833)
Sir James Thornhill’s Boy Entering His Master’s Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Sir James Thornhill’s Boy Entering His Master’s Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill (1817)

John Thomas Smith (English, 1766–1833)
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. ‘Analysis of Beauty’

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. ‘Analysis of Beauty’ (1817)

John Thomas Smith (English, 1766–1833)
Hogarth Sitting to Roubiliac for His Bust

Hogarth Sitting to Roubiliac for His Bust (1817)

John Thomas Smith (English, 1766–1833)
Hogarth painting ‘The Lady’s Last Stake,’ in the Presence of Lord Charlemont

Hogarth painting ‘The Lady’s Last Stake,’ in the Presence of Lord Charlemont (1817)

John Thomas Smith (English, 1766–1833)
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers (1817)

John Thomas Smith (English, 1766–1833)
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital (1817)

John Thomas Smith (English, 1766–1833)
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter…

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter… (1817)

John Thomas Smith (English, 1766–1833)
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance (1817)

John Thomas Smith (English, 1766–1833)
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress’s Bedchamber

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress’s Bedchamber (1817)

John Thomas Smith (English, 1766–1833)
Hogarth Engraving His Master’s Shop-bill the Sign of the Angel

Hogarth Engraving His Master’s Shop-bill the Sign of the Angel (1817)

John Thomas Smith (English, 1766–1833)
Hogarth Drinking the First Glass of Wine with His Wife – Their Dogs Keeping Respectful Distances

Hogarth Drinking the First Glass of Wine with His Wife – Their Dogs Keeping Respectful Distances (1817)

John Thomas Smith (English, 1766–1833)
Hogarth Drawing Sarah Malcolm

Hogarth Drawing Sarah Malcolm (1817)

John Thomas Smith (English, 1766–1833)
Hogarth Declaring His Love to Miss Thornhill

Hogarth Declaring His Love to Miss Thornhill (1817_1817)

John Thomas Smith (English, 1766–1833)
Hogarth Carrying his Master’s Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Hogarth Carrying his Master’s Sick Child Round Leicester Fields. The Spot of Ground Leicester House. (1817)

John Thomas Smith (English, 1766–1833)
Hogarth Being Out of His Time Draws His Companion’s Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Hogarth Being Out of His Time Draws His Companion’s Figure on the Door of a Certain Place, to the Great Admiration of All His Friends (1817)

John Thomas Smith (English, 1766–1833)
Hogarth at Old Slaughter’s Hobbing with Highmore the Painter

Hogarth at Old Slaughter’s Hobbing with Highmore the Painter (1817)

John Thomas Smith (English, 1766–1833)