Willem Panneels

Flemish, c.1600 – c.1634

Willem Panneels was a Flemish engraver who was active in the first half of the 17th century. He is mainly known for the copies he made of drawings from the personal study of Rubens.

Very little is known about his personal life. He was born around 1600 probably in Antwerp. Until his arrival in Rubens' workshop in 1624-1625 no information about him is known. When he left Rubens’ workshop in 1630, he traveled to Cologne, Baden and Frankfurt am Main. In 1631 he stayed in Mainz, where he worked for the prince-bishop Anselm Casimir Wambold von Umstadt. In 1632 he traveled on to Strasbourg and after that date the historical records are silent about him. It is assumed he died around 1634 in Baden-Baden.

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Anatomical Study (écorché). Torso of a flayed man seen from the back half turned to the right

Anatomical Study (écorché). Torso of a flayed man seen from the back half turned to the right (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)

Anatomical Study (écorchés). Walking flayed man turned to the left

Anatomical Study (écorchés). Walking flayed man turned to the left (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)

Anatomisk og proportionsstudie. En hest

Anatomisk og proportionsstudie. En hest (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)

Centaur Tamed. Antique sculpture seen from the left

Centaur Tamed. Antique sculpture seen from the left (1628)

Willem Panneels (Flemish, c.1600 – c.1634)

Ceres. After an antique sculpture

Ceres. After an antique sculpture (1627 – 1629)

Willem Panneels (Flemish, c.1600 – c.1634)

Eagle. Two studies of an antique sculpture; front view half turned to the right, and front view half turned to the left

Eagle. Two studies of an antique sculpture; front view half turned to the right, and front view half turned to the left (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)

Elijah and the Angel

Elijah and the Angel (1625 – 1629)

Willem Panneels (Flemish, c.1600 – c.1634)

Man´s head

Man´s head (1626 – 1629)

Willem Panneels (Flemish, c.1600 – c.1634)

Front view of Laocoon’s torso

Front view of Laocoon’s torso (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)

Head of a Roman woman, quarter profile turned to the right (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)

Kristi dåb

Kristi dåb (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)

Laocoon. Laocoon’s torso seen from below from the right.

Laocoon. Laocoon’s torso seen from below from the right. (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)

Laocoon. Studies of Laocoon’s left arm and of the back of his torso seen from the left and from below

Laocoon. Studies of Laocoon’s left arm and of the back of his torso seen from the left and from below (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)

Laocoon. Two studies of Laocoon’s face, one seem en face from below, and the other in profile to the left (1628 – 1629)

Willem Panneels (Flemish, c.1600 – c.1634)

Samson Breaking the Lion’s Jaw. The Lion

Samson Breaking the Lion’s Jaw. The Lion (1628 – 1629)

Willem Panneels (Flemish, c.1600 – c.1634)

Sitting Man – after an Antique Sculpture

Sitting Man – after an Antique Sculpture (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)

The Three Graces

The Three Graces (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)

Torso. Belvedere. Front view of the antique sculpture.

Torso. Belvedere. Front view of the antique sculpture. (1628 – 1629)

Willem Panneels (Flemish, c.1600 – c.1634)

Two anatomical Studies (écorchés). Flayed torso of a , his left arm raised

Two anatomical Studies (écorchés). Flayed torso of a , his left arm raised (1628 – 1630)

Willem Panneels (Flemish, c.1600 – c.1634)

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