Wilhelm von Bode (German, 1845 – 1929)
Wilhelm von Bode (German, 1845 – 1929)
Wilhelm von Bode (German, 1845 – 1929)
Wilhelm von Bode
German, 1845 – 1929
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Wilhelm von Bode was a German art historian and museum curator. Born Arnold Wilhelm Bode in Calvörde, and known as Wilhelm Bode for most of his career, he was ennobled in 1913, and thereafter adopted the aristocratic "von". He was the creator and first curator of the Kaiser Friedrich Museum, now called the Bode Museum in his honor, in 1904.
He wrote a number of books, many large and authoritative studies of the art of the Italian Renaissance and the Dutch and Flemish Baroque, but also other subjects.
Bode studied law at the Universities of Göttingen and Berlin, but took an interest in art during his university years. While practicing law in Braunschweig he systematically rearranged the ducal art collections, and visited a number of museums and private collections in Belgium, the Netherlands, and Italy. After studies in art history in Berlin and Vienna, he received his doctorate from the University of Leipzig in 1870 based on his dissertation Frans Hals und seine Schule.
In 1871 Bode participated in the so-called "Holbein convention" in Dresden, at which a number of prominent art historians convened to determine which of two versions of Hans Holbein the Younger's Meyer Madonna was the original work.
In 1872 he took a position as an assistant curator of sculpture in the royal museums in Berlin, and became director of the department in 1883. He took over the Gemäldegalerie in 1890, and became general director of what is now the Berlin State Museums in 1905, succeeding Richard Schöne. Many of his efforts were devoted to the new Kaiser Friedrich Museum on Museum Island; his close relationship with the imperial family, his political astuteness, and his relationships with artists and collectors throughout Europe enabled to amass a major collection for the museum. In the 1890s Berlin was far behind Munich and Dresden in its art collections, but with the enthusiastic participation of Wilhelm II, Bode was able to shift the center of the German art world to the capital. He was also in charge of rebuilding the museums of Strasbourg, whose collections had been entirely destroyed in 1870 by Prussian bombardments during the Franco-Prussian War. Bode occupied this post from 1889 to 1914, establishing the Musée des Beaux-Arts and the Cabinet des estampes et des dessins as well as setting the grounds of part of the current Musée de l’Œuvre Notre-Dame's collections.
Bode's writings on a wide variety of topics in art history, particularly Italian Renaissance art, were widely influential, and remain key texts in the field. His autobiography, Mein Leben, was published posthumously in 1930.