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Sir Edward Coley Burne-Jones
Sir Edward Coley Burne-Jones

Sir Edward Coley Burne-Jones

English, 1833 – 1898
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Sir Edward Coley Burne-Jones was a British artist and designer associated with the phase of the Pre-Raphaelite movement, who worked with William Morris on decorative arts as a founding partner in Morris, Marshall, Faulkner & Co.

Burne-Jones was involved in the rejuvenation of the tradition of stained glass art in Britain; his works include windows in St. Philip's Cathedral, Birmingham, St Martin in the Bull Ring, Birmingham, Holy Trinity Church, Sloane Square, Chelsea, St Peter and St Paul parish church in Cromer, St Martin's Church in Brampton, Cumbria (the church designed by Philip Webb), St Michael's Church, Brighton, Trinity Church in Frome, All Saints, Jesus Lane, Cambridge, St Edmund Hall and Christ Church, two colleges of the University of Oxford. His stained glass works also feature in St. Anne's Church, Brown Edge, Staffordshire Moorlands and St. Edward the Confessor church at Cheddleton Staffordshire. Burne-Jones's early paintings show the inspiration of Dante Gabriel Rossetti, but by the 1860s Burne-Jones was discovering his own artistic "voice".

In 1877, he was persuaded to show eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included The Beguiling of Merlin. The timing was right and he was taken up as a herald and star of the new Aesthetic Movement. Burne-Jones worked in crafts; including designing ceramic tiles, jewellery, tapestries and mosaics.

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Study of female nude for the Hill Fairies in ‘Arthur in Avalon’

Study of female nude for the Hill Fairies in ‘Arthur in Avalon’

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Study of Hill Fairies

Study of Hill Fairies

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Uncle Crom (Cormel Price)

Uncle Crom (Cormel Price) (1889)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Uncle Crom (Cormel Price)

Uncle Crom (Cormel Price) (1889)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Female nude study

Female nude study

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Figure studies for ‘Clerk Saunders’

Figure studies for ‘Clerk Saunders’ (1861)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Portrait of Fanny Cornforth, reclining in a chair, for ‘Laus Veneris’

Portrait of Fanny Cornforth, reclining in a chair, for ‘Laus Veneris’ (1861)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Female nude study

Female nude study

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Heady study of Love for ‘The Triumph of Love over Oblivion’

Heady study of Love for ‘The Triumph of Love over Oblivion’

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Portrait of Philip Burne-Jones (1861-1926)

Portrait of Philip Burne-Jones (1861-1926) (circa 1875)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Study of a standing male nude

Study of a standing male nude

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Study of Fortune for ‘The Wheel of Fortune’

Study of Fortune for ‘The Wheel of Fortune’ (1876)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Study of a draped female figure for ‘The Sleep of Arthur in Avalon’

Study of a draped female figure for ‘The Sleep of Arthur in Avalon’

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Study of a draped female figure, with a subsidiary study of the same, for ‘The Sleep of Arthur in Avalon’

Study of a draped female figure, with a subsidiary study of the same, for ‘The Sleep of Arthur in Avalon’

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Female head study for the first of the Three Graces in ‘Venus Concordia’

Female head study for the first of the Three Graces in ‘Venus Concordia’ (1895)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Female head study, looking to the right, for ‘The Golden Stairs’

Female head study, looking to the right, for ‘The Golden Stairs’

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Head study for ‘The Sirens’

Head study for ‘The Sirens’ (1895)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Study for a draped female figure for ‘The Sleep of Arthur in Avalon’

Study for a draped female figure for ‘The Sleep of Arthur in Avalon’

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Studienblatt; Furor, Dolor, Dissimulatio, Suspicio

Studienblatt; Furor, Dolor, Dissimulatio, Suspicio (1869)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Christ and the Woman of Samaria at the Well

Christ and the Woman of Samaria at the Well (1880)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Religion
An illustration to ‘The Golden Legend’

An illustration to ‘The Golden Legend’

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Head of Miss Margaret Elizabeth Benson (later Mrs Margaret Drummond, 1856-1941)

Head of Miss Margaret Elizabeth Benson (later Mrs Margaret Drummond, 1856-1941)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
‘Justice’, Study for a stained glass window in Kolkata Cathedral

‘Justice’, Study for a stained glass window in Kolkata Cathedral

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
The Golden Stairs

The Golden Stairs (1894)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Nude study for attendant figure holding a spear in The Sleep of Arthur in Avalon

Nude study for attendant figure holding a spear in The Sleep of Arthur in Avalon

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Nude study for attendant figure in The Sleep of Arthur in Avalon

Nude study for attendant figure in The Sleep of Arthur in Avalon

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Drapery study on a reclining figure

Drapery study on a reclining figure

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Group of women, Preliminary study for the painting The Golden Stairs

Group of women, Preliminary study for the painting The Golden Stairs (1872)

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Two studies of a seated girl playing a sitar

Two studies of a seated girl playing a sitar

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
Study for ‘Chaucer’s Dream of Good Women’

Study for ‘Chaucer’s Dream of Good Women’

Sir Edward Coley Burne-Jones (English, 1833 – 1898)
Drawings
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