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Kitagawa Utamaro

Japanese, 1753-1806
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Kitagawa Utamaro was a Japanese artist. He is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, and is best known for his bijin ōkubi-e "large-headed pictures of beautiful women" of the 1790s. He also produced nature studies, particularly illustrated books of insects.

Little is known of Utamaro's life. His work began to appear in the 1770s, and he rose to prominence in the early 1790s with his portraits of beauties with exaggerated, elongated features. He produced over 2000 known prints and was one of the few ukiyo-e artists to achieve fame throughout Japan in his lifetime. In 1804 he was arrested and manacled for fifty days for making illegal prints depicting the 16th-century military ruler Toyotomi Hideyoshi, and died two years later.

Utamaro's work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated. The reference to the "Japanese influence" among these artists often refers to the work of Utamaro.

165 items

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Ogiya Hanaôgi – Hanaôgi of the Ôgiya (picture riddle)

Ogiya Hanaôgi – Hanaôgi of the Ôgiya (picture riddle) (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Asian Art
Ôgiya Hanaôgi – Ôgiya Hanaôgi (picture riddle)

Ôgiya Hanaôgi – Ôgiya Hanaôgi (picture riddle) (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Asian Art
Ôgiya uchi Yashio, Someki, Tsumaki – Yashio of the Ôgiya, Someki, Tsumaki

Ôgiya uchi Yashio, Someki, Tsumaki – Yashio of the Ôgiya, Someki, Tsumaki (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Asian Art
Oume, Kumenosuke – Oume and Kumenosuke

Oume, Kumenosuke – Oume and Kumenosuke (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Asian Art
Oyasumi-dokoro – Roadside tea-stall

Oyasumi-dokoro – Roadside tea-stall (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Asian Art
Sankatsu Hanshichi no bosetsu – The maternal love of Sankatsu and Hanshichi

Sankatsu Hanshichi no bosetsu – The maternal love of Sankatsu and Hanshichi (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Asian Art
Shinshi-bari – Cloth-stretcher

Shinshi-bari – Cloth-stretcher (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Asian Art
Shira-uchikake – The white surcoat

Shira-uchikake – The white surcoat (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Asian Art
Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha

Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Asian Art
Tamaya uchi Komurasaki, Kochô, Haruji – Komurasaki of the Tamaya, Kochô, Haruj

Tamaya uchi Komurasaki, Kochô, Haruji – Komurasaki of the Tamaya, Kochô, Haruj (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Asian Art
Tenugui – Hand-towel

Tenugui – Hand-towel (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Asian Art
Tôji san bijin – Three beauties of the present day

Tôji san bijin – Three beauties of the present day (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Asian Art
Uwaki no sô – The fancy-free type

Uwaki no sô – The fancy-free type (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Asian Art
Yaoya Oshichi, Koshô Kichisaburô, Dozaemon Denkichi – Oshichi the greengrocer’s daughter, Kichisaburô the boy-servant and Dozaemon Denkichi

Yaoya Oshichi, Koshô Kichisaburô, Dozaemon Denkichi – Oshichi the greengrocer’s daughter, Kichisaburô the boy-servant and Dozaemon Denkichi (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Asian Art
Yubi-sashi – Child pointing

Yubi-sashi – Child pointing (1793-1804)

Kitagawa Utamaro (Japanese, 1753-1806)
Asian Art
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