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Joseph Anton Koch
Joseph Anton Koch

Joseph Anton Koch

Austrian, 1768-1839
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Joseph Anton Koch was an Austrian painter of Neoclassicism and later the German Romantic movement; he is perhaps the most significant neoclassical landscape painter.

The Tyrolese painter was born in Elbigenalp. Early in his life he was tending cattle. Through the recommendation of Bishop Umgelder (1785), he received academic training in the Karlsschule Stuttgart, a strict military academy. In 1791, he ran away, and traveled through France and Switzerland. He arrived in Rome in 1795. Koch was close to the painter Asmus Jacob Carstens and carried on Carstens' "heroic" art, at first in a literal manner. He etched the pages of Carstens' Les Argonautes, selon Pindar, Orphée et Apollonius de Rhode (Rome, 1799).

After 1800, Koch developed as a landscape painter. In Rome, he espoused a new type of "heroic" landscape, revising the classical compositions of Poussin and Lorrain with a more rugged, mountainous scenery. In 1812, forced through inadequate income from his work, or in protest of the French invasion, he went to Vienna, where he worked prolifically. He stayed in Vienna until 1815. During this period, he incorporated more non-classical themes in his work. In Vienna, he was influenced by Friedrich Schlegel and enthusiasts of old German art. In response, his style became harsher.

Koch returned to Rome, and became a conspicuous figure in the German artists' colony there. He painted, among other works, the four frescoes in the Dante Room of the Villa Massimi (1824–1829). His presence and personality had considerable influence among the younger generation in the art life of Rome, and his new approach had a wide influence on German landscape painters who visited Rome.

He wrote Moderne Kunstchronik oder die rumfordische Suppe gekocht und geschrieben von J. A. Koch (Stuttgart, 1834) which was directed humorously against unjustifiable criticism and false connoisseurship.

Koch's last years were spent in great poverty. He died in Rome, where he was buried in the Teutonic Cemetery, located next to St. Peter's Basilica within Vatican City.

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Am Pechsee der Krämer. Ciampolo von Navarra

Am Pechsee der Krämer. Ciampolo von Navarra (1802-1803)

Joseph Anton Koch (Austrian, 1768-1839)
Drawings
Landschaft mit Diana und Aktäon

Landschaft mit Diana und Aktäon (ca 1832)

Joseph Anton Koch (Austrian, 1768-1839)
Drawings
The Kalvarienberg

The Kalvarienberg (ca 1825)

Joseph Anton Koch (Austrian, 1768-1839)
Drawings
Dante and Virgil Riding on the Back of Geryon

Dante and Virgil Riding on the Back of Geryon (c. 1821)

Joseph Anton Koch (Austrian, 1768-1839)
Drawings
The Grindelwald Glacier with Hunter and Peasant Girl in Foreground

The Grindelwald Glacier with Hunter and Peasant Girl in Foreground (ca. 1823)

Joseph Anton Koch (Austrian, 1768-1839)
Drawings
Landscape with Abraham and the Three Angels in the Valley of Mambre

Landscape with Abraham and the Three Angels in the Valley of Mambre (1797)

Joseph Anton Koch (Austrian, 1768-1839)
Drawings
The Triumph of Bacchus

The Triumph of Bacchus (18th–19th century)

Joseph Anton Koch (Austrian, 1768-1839)
Drawings
Ruins of the Imperial Palaces in Rome

Ruins of the Imperial Palaces in Rome (1810)

Joseph Anton Koch (Austrian, 1768-1839)
Drawings
Am Pechsee der Krämer Ciampolo von Navarra (Dante Inferno, Canto 22, V 34)

Am Pechsee der Krämer Ciampolo von Navarra (Dante Inferno, Canto 22, V 34)

Joseph Anton Koch (Austrian, 1768-1839)
Drawings
Am Pechsee der Krämer, der Ratsherr von Lucca (Dante Inferno, Canto 21, V 34) 2

Am Pechsee der Krämer, der Ratsherr von Lucca (Dante Inferno, Canto 21, V 34) 2

Joseph Anton Koch (Austrian, 1768-1839)
Drawings
Am Pechsee der Krämer, der Ratsherr von Lucca (Dante Inferno, Canto 21, V 34)

Am Pechsee der Krämer, der Ratsherr von Lucca (Dante Inferno, Canto 21, V 34)

Joseph Anton Koch (Austrian, 1768-1839)
Drawings
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