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John Thomas Smith
John Thomas Smith

John Thomas Smith

English, 1766–1833
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John Thomas Smith, also known as Antiquity Smith, was an English painter, engraver and antiquarian. He wrote a life of the sculptor Joseph Nollekens, that was noted for its "malicious candour", and was a keeper of prints for the British Museum.

John Thomas Smith was born in the back of a Hackney carriage on 23 June 1766. His mother was returning home to 7 Great Portland Street. He was named John for his grandfather and Thomas after his great uncle, Admiral Thomas Smith. His father Nathaniel Smith was at that time a sculptor working for Joseph Nollekens, but later became a printseller.

John Thomas Smith first tried to train as a sculptor with Nollekens, but left to study with John Keyse Sherwin and at the Royal Academy. After three years he left to live off his drawing skills. He gave up his topographical drawing and acting ambitions to compile Antiquities of London and its Environs which was later described as his favourite work. Smith became known as "Antiquity Smith".

In 1796 the young John Constable was introduced to Smith, and he became Constable's informal artistic mentor.

Smith published books of engravings and worked as a drawing master in Edmonton. In 1807 he published Antiquities of Westminster which has been described as his major work. The work had been inspired by paintings found during extension work to the Houses of Parliament on 11 August 1800. Smith and Charles Gower were invited to see the pictures, and Smith was able to obtain permission to sketch them. He had to work early in the morning to avoid the workmen. It is said that they frequently demolished what he had just finished sketching and he kept this work up constantly for six weeks. After this his permission was transferred to an artist from the Society of Antiquaries, but Smith had a complete record by that time. The published book contained over a hundred drawings of antiquities in Westminster that were no longer standing.

Smith had a very public row between 1807 and 1809 following a failed partnership with John Sidney Hawkins. They had planned to work together on a book, with illustrations by Smith and an accompanying text by Hawkins. However the partners fell out and Hawkins went on to publish the book alone; he included an explanation of Smith's absence. Smith published a reply and this was followed by a refutation by Hawkins. Finally 62 additional pictures were published separately after the publication.

Between 1810 and 1815, Smith created drawings and engravings of notable beggars in London and published The Streets of London: Anecdotes of Their More Celebrated Residents.

Smith was offered the position of Keeper of the Prints department of the British Museum in September 1816 The position still allowed Smith to sketch and draw. His next publication, Vagabondiana, or Anecdotes of Mendicant Wanderers through the Streets of London, had an introduction by Francis Douce, who had at one time also worked for the British Museum. Douce, Sir William Beechey and Smith were the executors of Joseph Nollekens' will, and it said that Smith was disappointed by the small legacy he received. His next book was a candid biography called Nollekens and His Times. This book was said to be notable for its "malicious candour and vivid detail". The unkind portrait of Nollekens was also accompanied by short biographies of other leading figures that were better received and are a valuable source for art historians. His biography of William Blake was the basis of later biographies as his was one of the first and was drawn from first hand experience as after he met Blake they never lost contact.

Smith died from inflammation of the lungs on 8 March 1833 at his home at 22 University Street, off Tottenham Court Road. He left Anna Maria (born Prickett) – whom he had married 45 years previously – unprovided for, and also an adult son and daughter. He was privately interred on 16 March in the burial grounds of St George's Chapel, near Tyburn turnpike.

In the years following Smith's demise, his executors issued three posthumous works: Cries of London in 1839, edited by John Bowyer Nichols, Book for a Rainy Day and Antiquarian Ramble in the Streets of London in 1846, edited by Charles Mackay.

53 items

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Armorial Bearings from St. Stephen’s Chapel

Armorial Bearings from St. Stephen’s Chapel (1804)

John Thomas Smith (English, 1766–1833)
Illustration
James Boswell and His Family

James Boswell and His Family

John Thomas Smith (English, 1766–1833)
Figurative
Winchester Street, London Wall

Winchester Street, London Wall (1804)

John Thomas Smith (English, 1766–1833)
Landscape
The South Entrance of Duke’s Place

The South Entrance of Duke’s Place (1814)

John Thomas Smith (English, 1766–1833)
Landscape
Specimens of Sculpture from St. Stephen’s Chapel – Plate I

Specimens of Sculpture from St. Stephen’s Chapel – Plate I (1804)

John Thomas Smith (English, 1766–1833)
Illustration
Specimens of Painting from St. Stephens Chapel

Specimens of Painting from St. Stephens Chapel (1804)

John Thomas Smith (English, 1766–1833)
Illustration
South West View of Bethlem Hospital and London Wall

South West View of Bethlem Hospital and London Wall (1814)

John Thomas Smith (English, 1766–1833)
Landscape
Sacred Architecture; the South Entrance of Dukes Place

Sacred Architecture; the South Entrance of Dukes Place (1814)

John Thomas Smith (English, 1766–1833)
Landscape
S.E. View of the Porch of an Old House in Hanover Court near Grub Street

S.E. View of the Porch of an Old House in Hanover Court near Grub Street (1809)

John Thomas Smith (English, 1766–1833)
Landscape
Portrait of Harwood (who shot at George III) at Bethlehem Hospital

Portrait of Harwood (who shot at George III) at Bethlehem Hospital

John Thomas Smith (English, 1766–1833)
Illustration
Oak Door Discovered in the Speaker’s State Dining Room

Oak Door Discovered in the Speaker’s State Dining Room (1806)

John Thomas Smith (English, 1766–1833)
Illustration
Northeast View of the Back of the Original Altar of St. Barts the Great

Northeast View of the Back of the Original Altar of St. Barts the Great (1811)

John Thomas Smith (English, 1766–1833)
Landscape
Houses on the South Side of Leadenhall Street

Houses on the South Side of Leadenhall Street (1796)

John Thomas Smith (English, 1766–1833)
Landscape
Vale of Health – Hampstead

Vale of Health – Hampstead (1830)

John Thomas Smith (English, 1766–1833)
Landscape
Ceiling of the Star Chamber

Ceiling of the Star Chamber (1805)

John Thomas Smith (English, 1766–1833)
Illustration
Domestic Architecture – N. E. View of an Old House lately Standing in Sweedon’s Passage, Grub Street

Domestic Architecture – N. E. View of an Old House lately Standing in Sweedon’s Passage, Grub Street (1791)

John Thomas Smith (English, 1766–1833)
Landscape
Domestic Architecture, A Magnificent Mansion Lately Standing in Hart Street, Crutched Friars

Domestic Architecture, A Magnificent Mansion Lately Standing in Hart Street, Crutched Friars (1812)

John Thomas Smith (English, 1766–1833)
Landscape
Domestic Architecture, An Upper Apartment of the Same Magnificent Mansion

Domestic Architecture, An Upper Apartment of the Same Magnificent Mansion (1812)

John Thomas Smith (English, 1766–1833)
Illustration
Geometrical View of St. Stephen’s Chapel, as it appeared before the alterations in 1806 and after Mr. Sandby’s view, which was taken about 1755

Geometrical View of St. Stephen’s Chapel, as it appeared before the alterations in 1806 and after Mr. Sandby’s view, which was taken about 1755 (1807)

John Thomas Smith (English, 1766–1833)
Illustration
Inside the Painted Chamber as it was in the year 1800 before the old tapestry was removed

Inside the Painted Chamber as it was in the year 1800 before the old tapestry was removed (1806)

John Thomas Smith (English, 1766–1833)
Landscape
Houses on the South SIde of a Street called London Wall

Houses on the South SIde of a Street called London Wall (1812)

John Thomas Smith (English, 1766–1833)
Landscape
Geometrical Construction of the Freeze and Battlements in the House of Commons

Geometrical Construction of the Freeze and Battlements in the House of Commons (1805)

John Thomas Smith (English, 1766–1833)
Illustration
Houses lately standing on the North Side of Long Land, Smithfield

Houses lately standing on the North Side of Long Land, Smithfield (1813)

John Thomas Smith (English, 1766–1833)
Landscape
The Smock Exposed

The Smock Exposed (1817)

John Thomas Smith (English, 1766–1833)
Drawings
The Residence of George Stevens, F.R.S.

The Residence of George Stevens, F.R.S. (1836)

John Thomas Smith (English, 1766–1833)
Landscape
The Reconcilation

The Reconcilation (1817)

John Thomas Smith (English, 1766–1833)
Drawings
The Eleventh Hour

The Eleventh Hour (1817)

John Thomas Smith (English, 1766–1833)
Drawings
Studies from the Bust of Samuel Johnson

Studies from the Bust of Samuel Johnson

John Thomas Smith (English, 1766–1833)
Drawings
Sir James Thornhill’s Boy Entering His Master’s Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Sir James Thornhill’s Boy Entering His Master’s Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill (1817)

John Thomas Smith (English, 1766–1833)
Drawings
Near Mr. Teshmaker’s Edmonton, Outer Suburb – North

Near Mr. Teshmaker’s Edmonton, Outer Suburb – North (1795)

John Thomas Smith (English, 1766–1833)
Landscape
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