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John Doyle
John Doyle

John Doyle

Irish, 1797 – 1868
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John Doyle, known by the pen name H. B., was an Irish political cartoonist, caricaturist, painter and lithographer.

He was the eldest son of a Dublin silk mercer, and came from a Roman Catholic family which in the 17th century had been granted extensive estates, possibly in County Offaly or County Laois, and their own coat of arms, but had suffered for their religion and since been dispossessed. In his youth he learned to paint landscapes under Gaspare Gabrielli, and miniature portraits at the Royal Dublin Society's drawing school under John Comerford. He won a gold medal in 1805. He was commissioned to paint equestrian portraits of the Marquess of Sligo and Lord Talbot, the Irish viceroy, and in 1822 he produced six prints entitled The Life of a Racehorse. That year he moved to London with his wife, Marianna Conan. His painting Turning out the Stag brought him recognition when it was exhibited at the Royal Academy in 1825.

Marianna died in 1832, giving birth to their seventh child. Doyle continued to exhibit miniatures until 1835, but by then he was experiencing greater success with his political cartoons, printed using the new reproductive medium of lithography, beginning in 1827. These were issued once a month during parliamentary sessions, and continued for twenty-two years. His caricatures were mostly faithful likenesses of their subjects, with little exaggeration, treated with sarcastic humour, often alluding to popular plays. They were signed with the letters H. B., constructed out of two Js and two Ds, Doyle's own initials. By 1840 he was prosperous enough to afford a fashionable house in Hyde Park, moving in the same circles as David Wilkie, Walter Scott, Samuel Taylor Coleridge, Charles Dickens, William Makepeace Thackeray, Thomas Macaulay, Thomas Moore and Samuel Rogers – but H. B.'s true identity remained a closely guarded secret until he revealed it in 1843 in a seventeen-page letter to Sir Robert Peel.

In the 1840s, at the height of his popularity, indices of H.B.'s prints were published in The Times and by the publisher McLean, but his reputation faded. His later prints were gentle in their humour and drawn in a soft, indistinct style. Thackeray said his cartoons, although clever and witty, were too "genteel" to raise more than a gentlemanly smile – "You will never hear any laughing at 'H. B.'" When he died in 1868, his obituary in The Art Journal did not appear until three months after his death, and a posthumous sale of his sketches at Christie's in 1882 was cancelled for lack of buyers. However, he is considered a founder of the school of British cartoon satirists represented by John Leech, John Tenniel, and his son Richard Doyle, which established the style made famous by Punch magazine. The British Museum has over 900 of his drawings in its collections.

He died at Maida Hill, 2 January 1868, and was buried at West Norwood Cemetery. His sons included the illustrator James William Edmund Doyle (1822–1892); the painter, illustrator and cartoonist Richard Doyle (1824–1883); Henry Edward Doyle, (1827–1892) who became director of the National Gallery of Ireland; and the painter Charles Altamont Doyle (1832–1893), through whom he was a grandfather of Sir Arthur Conan Doyle, the novelist and creator of Sherlock Holmes.

89 items

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Taking an airing in Hyde Park

Taking an airing in Hyde Park (1833)

John Doyle (Irish, 1797 – 1868)
Illustration
Othello

Othello (1834)

John Doyle (Irish, 1797 – 1868)
Illustration
Omnibus race

Omnibus race (1840)

John Doyle (Irish, 1797 – 1868)
Illustration
New omnibus!

New omnibus! (1841)

John Doyle (Irish, 1797 – 1868)
Illustration
A Will O’ The Wisp

A Will O’ The Wisp (1831)

John Doyle (Irish, 1797 – 1868)
Illustration
Little Red-Riding Hood’s meeting with the wolf

Little Red-Riding Hood’s meeting with the wolf (1835)

John Doyle (Irish, 1797 – 1868)
Illustration
How to jockey the favorite.

How to jockey the favorite. (1846)

John Doyle (Irish, 1797 – 1868)
Illustration
Heads or tails

Heads or tails (1835)

John Doyle (Irish, 1797 – 1868)
Illustration
Guy Fawkes or the anniversary of the Popish plot

Guy Fawkes or the anniversary of the Popish plot (1830)

John Doyle (Irish, 1797 – 1868)
Illustration
Good breeding – versus – education (from the code of etiquette)

Good breeding – versus – education (from the code of etiquette) (1837)

John Doyle (Irish, 1797 – 1868)
Illustration
Going to a half crown-ation

Going to a half crown-ation (1831)

John Doyle (Irish, 1797 – 1868)
Illustration
Going it on stilts to appropriate music

Going it on stilts to appropriate music (1835)

John Doyle (Irish, 1797 – 1868)
Illustration
Doing penance

Doing penance (1846)

John Doyle (Irish, 1797 – 1868)
Illustration
Design for a cartoon. Poetry doing homage to Temperance

Design for a cartoon. Poetry doing homage to Temperance (1843)

John Doyle (Irish, 1797 – 1868)
Illustration
Christmas pantomime, No. 2; Extraordinary harlequin leap!

Christmas pantomime, No. 2; Extraordinary harlequin leap! (1946)

John Doyle (Irish, 1797 – 1868)
Illustration
A Venerable Spider and A Buzzing Fly

A Venerable Spider and A Buzzing Fly (1832)

John Doyle (Irish, 1797 – 1868)
Illustration
A Sherriff’s Sale or Auction Extraordinary

A Sherriff’s Sale or Auction Extraordinary (1840)

John Doyle (Irish, 1797 – 1868)
Illustration
A Graceful Speciman of The Retort Courteous

A Graceful Speciman of The Retort Courteous (1831)

John Doyle (Irish, 1797 – 1868)
Illustration
A ball-room scene

A ball-room scene (1838)

John Doyle (Irish, 1797 – 1868)
Illustration
Perseus Flying to the Rescue of Andromeda

Perseus Flying to the Rescue of Andromeda (1847)

John Doyle (Irish, 1797 – 1868)
Illustration
A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant

A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant (1847)

John Doyle (Irish, 1797 – 1868)
Illustration
New Illustration of Hudibras

New Illustration of Hudibras (1851)

John Doyle (Irish, 1797 – 1868)
Illustration
Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division

Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division (1848)

John Doyle (Irish, 1797 – 1868)
Illustration
‘Concert Monstre’ of ‘Musical Congress’ Extraordinary!

‘Concert Monstre’ of ‘Musical Congress’ Extraordinary! (1849)

John Doyle (Irish, 1797 – 1868)
Illustration
Common Sense Versus Precedent

Common Sense Versus Precedent (1848)

John Doyle (Irish, 1797 – 1868)
Illustration
Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short

Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short (1849)

John Doyle (Irish, 1797 – 1868)
Illustration
Barnaby Rudge and his Raven

Barnaby Rudge and his Raven (1841)

John Doyle (Irish, 1797 – 1868)
Illustration
Another Saint Sebastian, Shot at by Cruel Archers

Another Saint Sebastian, Shot at by Cruel Archers (1847)

John Doyle (Irish, 1797 – 1868)
Illustration
An Old Coast Guard, Looking Out… A Strange Sail on the Horizon

An Old Coast Guard, Looking Out… A Strange Sail on the Horizon (1848)

John Doyle (Irish, 1797 – 1868)
Illustration
An Interesting Group: ‘Misfortune Makes us Acquainted with Strange Bedfellows’

An Interesting Group: ‘Misfortune Makes us Acquainted with Strange Bedfellows’ (1847)

John Doyle (Irish, 1797 – 1868)
Illustration
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