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John Atkinson Grimshaw
John Atkinson Grimshaw

John Atkinson Grimshaw

English, 1836 – 1893
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John Atkinson Grimshaw was an English Victorian-era artist best known for his nocturnal scenes of urban landscapes. Today, he is considered one of the great painters of the Victorian era, as well as one of the best and most accomplished nightscape and townscape artists of all time. He was called a "remarkable and imaginative painter" by the critic and historian Christopher Wood in Victorian Painting (1999).

Grimshaw's love for realism stemmed from a passion for photography, which would eventually lend itself to the creative process. Though entirely self-taught, he is known to have used a camera obscura or lenses to project scenes onto canvas, which made up for his shortcomings as a draughtsman and his imperfect knowledge of perspective. This technique, allegedly also used by Caravaggio, as well as Vermeer, was condemned by a number of his contemporaries who believed it demonstrated less skill than painting by eye, with some claiming that his paintings appeared to "show no marks of handling or brushwork", while others "were doubtful whether they could be accepted as paintings at all". However, many recognised his mastery of colour, lighting and shadow, as well as his unique ability to provoke strong emotional responses in the viewer. James McNeill Whistler, who Grimshaw worked with in his Chelsea studios, stated, "I considered myself the inventor of nocturnes until I saw Grimmy's moonlit pictures."

His early paintings were signed "JAG", "J. A. Grimshaw", or "John Atkinson Grimshaw", though he finally settled on "Atkinson Grimshaw".

He was born on 6 September 1836 in a back-to-back in Park Street, Leeds to Mary and David Grimshaw. In 1856 he married his cousin Frances Hubbard (1835–1917). In 1861, at the age of 24, to the dismay of his parents, he left his job as a clerk for the Great Northern Railway to become a painter. He first exhibited in 1862, mostly paintings of birds, fruit, and blossom, under the patronage of the Leeds Philosophical and Literary Society. He and his wife moved in 1866 to a semi-detached villa, which is now numbered 56 Cliff Road in Headingley and has a Leeds Civic Trust blue plaque, and in 1870 to Knostrop Old Hall. Grid Reference: SE 32125 32100. He became successful in the 1870s and rented a second home, Castle-by-the-Sea in Scarborough, Scarborough became a favourite subject.

He died on 13 October 1893 of tuberculosis and is buried in Woodhouse Cemetery, now called St George's Fields, in Leeds.

Four of his children, Arthur E. Grimshaw (1864–1913), Louis H. Grimshaw (1870–1944), Wilfred Grimshaw (1871–1937), and Elaine Grimshaw (1877–1970) also became painters.

102 items

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St Anne’s Square And Exchange, Manchester

St Anne’s Square And Exchange, Manchester

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Stepping Stones, Bolton Abbey

Stepping Stones, Bolton Abbey (1868)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Roundhay Park Lake

Roundhay Park Lake

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
The Rookery

The Rookery (1883)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
In the golden gloaming

In the golden gloaming (1881)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Stapleton Park, near Pontefract

Stapleton Park, near Pontefract (1877)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Under the Silvery Moonbeams

Under the Silvery Moonbeams (1882)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Still life with a pineapple, grapes, nuts and plums

Still life with a pineapple, grapes, nuts and plums (1862)

John Atkinson Grimshaw (English, 1836 – 1893)
Still Life
A Lady in a Classical Interior

A Lady in a Classical Interior (1874)

John Atkinson Grimshaw (English, 1836 – 1893)
Figurative
Nearing home

Nearing home (1872)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
The haunt of the heron

The haunt of the heron

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
The Turn of the Road

The Turn of the Road (1883)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Autumn Glory

Autumn Glory (1887)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Glasgow

Glasgow

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Moonlight on the lake, Roundhay Park, Leeds

Moonlight on the lake, Roundhay Park, Leeds

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Whitby at night

Whitby at night

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Yew Court, Scalby

Yew Court, Scalby (1877)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
A moonlit landscape

A moonlit landscape

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
A moonlit stroll, Bonchurch, Isle of Wight

A moonlit stroll, Bonchurch, Isle of Wight (1878)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
After The Shower

After The Shower

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
An Autumn Lane

An Autumn Lane (1883)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Boulders In Storsforth Wood

Boulders In Storsforth Wood (1863)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Liverpool Lights

Liverpool Lights

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Lovers on a moonlit lane

Lovers on a moonlit lane (1873)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
The Sere and Yellow Leaf

The Sere and Yellow Leaf

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
An autumn lane

An autumn lane (1886)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Boar Lane, Leeds by lamplight

Boar Lane, Leeds by lamplight (1881)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Greenock dockside by night

Greenock dockside by night (1892)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Greenock Harbour at night

Greenock Harbour at night (1893)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
Roundhay Lake

Roundhay Lake (1877)

John Atkinson Grimshaw (English, 1836 – 1893)
Landscape
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