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Jean-Baptiste Carpeaux
Jean-Baptiste Carpeaux

Jean-Baptiste Carpeaux

French, 1827-1875
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Jean-Baptiste Carpeaux was a French sculptor and painter during the Second Empire under Napoleon III.

Born in Valenciennes, Nord, son of a mason, his early studies were under François Rude. Carpeaux entered the École des Beaux-Arts in 1844 and won the Prix de Rome in 1854, and moving to Rome to find inspiration, he there studied the works of Michelangelo, Donatello and Verrocchio. Staying in Rome from 1854 to 1861, he obtained a taste for movement and spontaneity, which he joined with the great principles of baroque art. Carpeaux sought real life subjects in the streets and broke with the classical tradition.

Carpeaux debuted at the Salon in 1853 exhibiting La Soumission d'Abd-el-Kader al'Empereur, a bas-relief in plaster that did not attract much attention. Carpeaux was an admirer of Napoléon III and followed him from city to city during Napoléon's official trip through the north of France. After initially not making any contact with the emperor, he finally succeeded in arranging a face-to-face encounter at Amiens where he managed to convince Napoléon to commission a marble statue that was to be carried out by a practitioner, Charles Romain Capellaro.

Carpeaux soon grew tired of academicism and became a wanderer on the streets of Rome. He spent free time admiring the frescoes of Michelangelo at the Sistine Chapel. Carpeaux said, "When an artist feels pale and cold, he runs to Michelangelo in order to warm himself, as with the rays of the sun".

While a student in Rome, Carpeaux submitted a plaster version of Pêcheur napolitain à la coquille, the Neapolitan Fisherboy, to the French Academy. He carved the marble version several years later, showing it in the Salon exhibition of 1863. It was purchased for Napoleon III's empress, Eugénie. The statue of the young smiling boy was very popular, and Carpeaux created a number of reproductions and variations in marble and bronze. There is a copy, for instance, in the Samuel H. Kress Collection in the National Gallery of Art in Washington, D.C. Some years later, he carved the Girl with a Shell, a similar study.

In 1861, he made a bust of Princess Mathilde, and this later brought him several commissions from Napoleon III. Then in 1866, he established his own atelier in order to reproduce and make work on a grander scale. In 1866, he was awarded the chevalier of the Legion of Honour.

He employed his brother as the sales manager and made a calculated effort to produce work that would appeal to a larger audience. On 12 October 1875, he died at George Barbu Știrbei's château in Bécon-les-Bruyères, outside Courbevoie.

Among his students were Jules Dalou, Jean-Louis Forain and the American sculptor Olin Levi Warner.

56 items

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Une rue

Une rue (1856-1862)

Jean-Baptiste Carpeaux (French, 1827-1875)
Landscape
Entrée triomphale d’Henri IV à Paris, d’après Rubens

Entrée triomphale d’Henri IV à Paris, d’après Rubens (1858)

Jean-Baptiste Carpeaux (French, 1827-1875)
Abstract
Allégorie politique avec portrait de Victor Hugo

Allégorie politique avec portrait de Victor Hugo (1866)

Jean-Baptiste Carpeaux (French, 1827-1875)
Mythology
Bacchanal with Children and Donkey

Bacchanal with Children and Donkey (c. 1860–70)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Bacchanal with Children and Chariot

Bacchanal with Children and Chariot (c. 1860–70)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Allegory of France (La France sous les traits d’une nymph), study for France Enlightening the World and Protecting Agriculture and Science

Allegory of France (La France sous les traits d’une nymph), study for France Enlightening the World and Protecting Agriculture and Science

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Charon and the Souls of the Dead

Charon and the Souls of the Dead (c. 1858)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Etude pour un homme allongé de dos

Etude pour un homme allongé de dos (1874)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Etude d’une femme debout de dos, la main gauche appuyée sur une pelle

Etude d’une femme debout de dos, la main gauche appuyée sur une pelle (1872)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Etude d’une femme de dos marchant

Etude d’une femme de dos marchant (1874)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Etude d’une chèvre

Etude d’une chèvre (1874)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Etude d’enfant debout de face, les jambes et les bras écartés

Etude d’enfant debout de face, les jambes et les bras écartés (1872)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Etude de tête de cheval

Etude de tête de cheval (1872)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Etude de plusieurs hommes formant une ronde

Etude de plusieurs hommes formant une ronde (1872)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Etude de femme nue allongée avec un bébé

Etude de femme nue allongée avec un bébé (1872)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Etude de femme assise, l’avant du corps allongé sur une table, la tête dans les bras

Etude de femme assise, l’avant du corps allongé sur une table, la tête dans les bras (1872)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Etude de femme assise de face

Etude de femme assise de face (1872)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Etude de deux personnes enlacées et d’un buste d’homme portant un chapeau

Etude de deux personnes enlacées et d’un buste d’homme portant un chapeau (1874)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Etude de deux personnes assises l’une en face de l’autre

Etude de deux personnes assises l’une en face de l’autre (1874)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Etude de chien

Etude de chien (1872)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Etude de chien et de tête de chien

Etude de chien et de tête de chien (1872)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Etde d’une assemblée de personnes dont l’une agenouillée

Etde d’une assemblée de personnes dont l’une agenouillée (1874)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Seascape

Seascape (mid-19th century)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Studies of Horses (after the Elgin marbles)

Studies of Horses (after the Elgin marbles) (1871)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Study related to ‘Why Born Enslaved!’

Study related to ‘Why Born Enslaved!’ (1868–1875)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
Self-Portrait

Self-Portrait (ca. 1865)

Jean-Baptiste Carpeaux (French, 1827-1875)
Drawings
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