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Jakob Matthias Schmutzer

Austrian, 1733–1811
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Jakob Matthias Schmutzer trained first in Vienna and later in Paris with Johann Georg Wille. The drawing technique used with the sanguine pencil, also known as the brown pencil, is likely to have been taken over directly from Wille by Schmutzer. The latter was friends with Jean-Baptiste Greuze, who was eight years his senior, and who in turn may have inspired Schmutzer to paint this genre. More than a real portrait, these drawings, which were executed in large numbers by Schmutzer, are expression studies of the kind taught in France following Charles Le Brun and his theoretical treatise Conférence sur l'expression génerale et particulière published in 1698. The disciplined drawing technique is reminiscent of the methodology of copperplate engraving - Schmutzer had already been trained as a copperplate engraver in his early days in Vienna.

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Partie in den Wiener Praterauen

Partie in den Wiener Praterauen (ca. 1790)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Landscape
Porträt eines jungen Mädchens

Porträt eines jungen Mädchens (1751)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
A Young Man with Flowing Hair

A Young Man with Flowing Hair (1777)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Two Male Nudes, One Seated and One Semi-reclining

Two Male Nudes, One Seated and One Semi-reclining (1771)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Two Male Heads in Profile to Right

Two Male Heads in Profile to Right (1765–1810)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Still Life; Armor, Sword, Snare Drum

Still Life; Armor, Sword, Snare Drum (1765–1810)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Standing Man in Exotic Dress

Standing Man in Exotic Dress (1765–1810)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Seated Male Nude Resting on a Stick 1765–1810

Seated Male Nude Resting on a Stick 1765–1810

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Reclining Male Nude, as Wind God on Clouds

Reclining Male Nude, as Wind God on Clouds (1765–1810)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Reclining Male Nude

Reclining Male Nude (1765–1810)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Profile of a Bearded Old Man Looking Right

Profile of a Bearded Old Man Looking Right (1765–1810)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Landscape with a ruin near Mödling

Landscape with a ruin near Mödling (1796)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Landscape near Mödling with figures

Landscape near Mödling with figures (1795)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Landscape near Mödling

Landscape near Mödling (1796)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Head of Bearded Old Man

Head of Bearded Old Man (1805)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Head of Bearded Old Man

Head of Bearded Old Man (1804)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Head of a Youth with Open Mouth

Head of a Youth with Open Mouth (1765–1810)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Head of a Young Man Looking Right

Head of a Young Man Looking Right (1774)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Head of a Woman with a Veil

Head of a Woman with a Veil (1782)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Head of a Man

Head of a Man (1765–1810)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings
Head of a Man with a Moustache Looking Left

Head of a Man with a Moustache Looking Left (1765–1810)

Jakob Matthias Schmutzer (Austrian, 1733–1811)
Drawings

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