Artvee
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Illustration
    • Posters
    • Religion
    • Mythology
    • Drawings
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Books
  • Artists
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro
Login
Artvee
Menu
Heinrich Dolmetsch
Heinrich Dolmetsch

Heinrich Dolmetsch

German, 1846-1908
Follow

Heinrich Dolmetsch was a German architect who was particularly active in the field of church construction in southwestern Germany. He renovated or restored a large number of churches, built 17 new churches and provided expert opinions on almost 50 other church buildings.

Dolmetsch was the son of the wine innkeeper and baker Zacharias Dolmetsch (1812-1870) and Elisabeth Wagner (1813-1888). He was a cousin of the later Stuttgart city historian Eugen Dolmetsch (1859-1944) and studied at the Stuttgart Polytechnic under Christian Friedrich von Leins. He undertook study trips through the German states as well as to Austria, Italy and France. From the 1874 concluded marriage with Emma Lorenz, the son Theodor (* 1877) emerged, who also pursued the architectural career.

Dolmetsch's work as an architect began with the reconstruction of the Protestant town church of St. Veit in Gaildorf, which had been destroyed by fire in 1868, under the direction of Leins. Inspired by this work, he specialized in the construction, expansion and restoration of church buildings. In the course of his career, he worked on a large number of church buildings throughout Württemberg; only a few secular buildings by him are known. Stylistically, he is classified as a historicist, but occasionally he is also characterized as a Gothic revivalist. At the turn of the 20th century, he turned to Art Nouveau, initially in elements of the furnishings and interior design, as well as in the glazing, and then also in the building structure itself.

In terms of construction, he is credited with building the world's first church tower made of reinforced concrete, the Protestant Church of St. Mark in Stuttgart. He also tried to break new ground in the areas of heating and ventilation for large buildings. Dolmetsch was also active in fields other than architecture, designing a communion cup with a host plate and drawing a book cover.

Due to his extensive experience in church construction, he soon became an expert in acoustics and was often consulted on other construction projects. He developed a wall and ceiling covering using crushed cork to reduce reverberation, for which he received a patent.

Heinrich Dolmetsch died at the age of 62 and was buried on July 27, 1908 at the Pragfriedhof in Stuttgart. Until World War I, his son Theodor Dolmetsch continued to run the architectural office together with Felix Schuster.

Many of Dolmetsch's church buildings were “modernized” in the second half of the 20th century: ornaments and decorations were removed or covered up, and paintings were washed off or painted over. The reasons for this were not only the destruction of the Second World War and a lack of funds, but also the fact that historicism was considered kitsch. It was not until the late 1980s that a change in thinking began to emerge, and people began to see artistic works in the works of this stylistic period. Therefore, some churches were restored as far as possible to the state designed by Dolmetsch, for example the Bonifatius Church in Oberrot.

86 items

Show 30 50 70
Italienische Renaissance – Manuskriptmalerei, Weberei und Marmormosaiken

Italienische Renaissance – Manuskriptmalerei, Weberei und Marmormosaiken (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Keltisch – Manuskript-Malerei

Keltisch – Manuskript-Malerei (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Japanisch – Weberei, Malerei und Zellenschmelz

Japanisch – Weberei, Malerei und Zellenschmelz (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Japanisch – Lack-Malerei

Japanisch – Lack-Malerei (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Italienische und Franzosische Renaissance – Edelmetallarbeiten mit Email

Italienische und Franzosische Renaissance – Edelmetallarbeiten mit Email (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Italienische Renaissance – Wand- und Decken-Malerei

Italienische Renaissance – Wand- und Decken-Malerei (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Italienische Renaissance – Wand- und Decken-Malerei.

Italienische Renaissance – Wand- und Decken-Malerei. (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Italienische Renaissance – Stickerei und Teppichweberei

Italienische Renaissance – Stickerei und Teppichweberei (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Italienische Renaissance – Spitzen-Technik

Italienische Renaissance – Spitzen-Technik (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Italienische Renaissance – Sgraffiten, Marmoreinlagen und Flachreliefs

Italienische Renaissance – Sgraffiten, Marmoreinlagen und Flachreliefs (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Italienische Renaissance – Plastische Ornamente in Marmor und Bronze

Italienische Renaissance – Plastische Ornamente in Marmor und Bronze (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Maurisch – Architektonische Verzierungen

Maurisch – Architektonische Verzierungen (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Italienische Renaissance – Majolika-Malerei

Italienische Renaissance – Majolika-Malerei (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Italienische Renaissance – Intarsien

Italienische Renaissance – Intarsien (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Italienische Renaissance – Glasmalerei

Italienische Renaissance – Glasmalerei (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Italienische Renaissance – Fayence-Platten

Italienische Renaissance – Fayence-Platten (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Italienische Renaissance – Facaden-Malerei

Italienische Renaissance – Facaden-Malerei (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Italienische Renaissance – Decken-Malerei

Italienische Renaissance – Decken-Malerei (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Indisch – Stickerei, Weberei, Geflechte und Lackmalerei

Indisch – Stickerei, Weberei, Geflechte und Lackmalerei (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Indisch – Metallarbeiten

Indisch – Metallarbeiten (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Indisch – Metallarbeiten, Stickerei, Weberei und Malerei

Indisch – Metallarbeiten, Stickerei, Weberei und Malerei (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Griechisch – Polychrome Architektur

Griechisch – Polychrome Architektur (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Romanisch-Gotisch – Fussboden -Bekleidungen

Romanisch-Gotisch – Fussboden -Bekleidungen (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
XVIII. Jahrhundert – Plastische und gemalte Verzierungen

XVIII. Jahrhundert – Plastische und gemalte Verzierungen (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
XVIII. Jahrhundert – Eingelegte Fussboden in Holz

XVIII. Jahrhundert – Eingelegte Fussboden in Holz (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
XVII. und XVIII. Jahrhundert – Wand- und Deckendekorationen in Stuck

XVII. und XVIII. Jahrhundert – Wand- und Deckendekorationen in Stuck (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
XVII. und XVIII. Jahrhundert – Stickerei

XVII. und XVIII. Jahrhundert – Stickerei (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
XVII. und XVIII. Jahrhundert – Plastische Verzierungen

XVII. und XVIII. Jahrhundert – Plastische Verzierungen (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
XVII. und XVIII. Jahrhundert – Bortenwirkerei, Weberei und Stickerei

XVII. und XVIII. Jahrhundert – Bortenwirkerei, Weberei und Stickerei (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
Turkisch – Architektonische Verzierungen aus Glasirtem Thon

Turkisch – Architektonische Verzierungen aus Glasirtem Thon (1887)

Heinrich Dolmetsch (German, 1846-1908)
Illustration
  • 1
  • 2
  • 3
  • →

0 Artworks
Follow
Facebook Twitter Pinterest
Favourite
Collect

Standard, JPG, Size:

Download

Max Size, JPG, Size:

Download
License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
  • Terms
  • Privacy
  • Contact us
Artvee.com 2024 All Rights Reserved
We use cookies to improve your experience on our website. By browsing this website, you agree to our use of cookies.
More info Accept
  • Sign in
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Illustration
    • Posters
    • Religion
    • Mythology
    • Drawings
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Artists
  • Books
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro