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Eugène Delacroix
Eugène Delacroix

Eugène Delacroix

French, 1798-1863
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Ferdinand Victor Eugène Delacroix was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.

In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in often violent action.

However, Delacroix was given to neither sentimentality nor bombast, and his Romanticism was that of an individualist. In the words of Baudelaire, "Delacroix was passionately in love with passion, but coldly determined to express passion as clearly as possible." Together with Ingres, Delacroix is considered one of the last old Masters of painting, and one of the few who was ever photographed.

As a painter and muralist, Delacroix's use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement. A fine lithographer, Delacroix illustrated various works of William Shakespeare, the Scottish author Walter Scott and the German author Johann Wolfgang von Goethe.

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Écorché; Three Studies of a Male Cadaver

Écorché; Three Studies of a Male Cadaver

Eugène Delacroix (French, 1798-1863)
Drawings
Fallen Warriors and a Runaway Horse

Fallen Warriors and a Runaway Horse (1862)

Eugène Delacroix (French, 1798-1863)
Drawings
Figure in a Doorway

Figure in a Doorway (1832)

Eugène Delacroix (French, 1798-1863)
Drawings
Figure Studies after Rubens’s ‘Fall of the Rebel Angels’

Figure Studies after Rubens’s ‘Fall of the Rebel Angels’ (ca. 1820–22)

Eugène Delacroix (French, 1798-1863)
Drawings
Figure Studies for the Salon du Roi, Palais Bourbon

Figure Studies for the Salon du Roi, Palais Bourbon (1833–35)

Eugène Delacroix (French, 1798-1863)
Drawings
Figure Studies related to ‘Liberty Leading the People’

Figure Studies related to ‘Liberty Leading the People’ (1830)

Eugène Delacroix (French, 1798-1863)
Drawings
Figure Studies

Figure Studies (ca. 1844)

Eugène Delacroix (French, 1798-1863)
Drawings
Figures in Medieval Costume (Tracings from the ‘Nuremberg Chronicle’)

Figures in Medieval Costume (Tracings from the ‘Nuremberg Chronicle’) (ca. 1822–30)

Eugène Delacroix (French, 1798-1863)
Drawings
Four Studies of Horses

Four Studies of Horses (1829–31)

Eugène Delacroix (French, 1798-1863)
Drawings
Hamlet and Horatio in the Graveyard

Hamlet and Horatio in the Graveyard (1827–28)

Eugène Delacroix (French, 1798-1863)
Drawings
Head of a Horse, after the Parthenon

Head of a Horse, after the Parthenon (ca. 1825)

Eugène Delacroix (French, 1798-1863)
Drawings
Head, Shoulder, and Foot, Studies for ‘Scenes from the Chios Massacres’

Head, Shoulder, and Foot, Studies for ‘Scenes from the Chios Massacres’ (1823)

Eugène Delacroix (French, 1798-1863)
Drawings
Interior of the Church of Valmont Abbey

Interior of the Church of Valmont Abbey (1829–31)

Eugène Delacroix (French, 1798-1863)
Drawings
Landscape with an Aqueduct

Landscape with an Aqueduct (ca. 1827)

Eugène Delacroix (French, 1798-1863)
Drawings
Seven Studies of Moroccan Men’s Costume

Seven Studies of Moroccan Men’s Costume (1832)

Eugène Delacroix (French, 1798-1863)
Drawings
Sketchbook with views of Tours, France and its environs

Sketchbook with views of Tours, France and its environs (1828–29)

Eugène Delacroix (French, 1798-1863)
Drawings
Sketches of Figures and a Tile-Roofed Building, Seville, Spain

Sketches of Figures and a Tile-Roofed Building, Seville, Spain (1832)

Eugène Delacroix (French, 1798-1863)
Drawings
Standing nude athlete; seated man with a lyre; centaur; and seven putti (three with wings)

Standing nude athlete; seated man with a lyre; centaur; and seven putti (three with wings) (1798–1863)

Eugène Delacroix (French, 1798-1863)
Drawings
Standing Woman in Moroccan Costume

Standing Woman in Moroccan Costume (ca. 1834)

Eugène Delacroix (French, 1798-1863)
Drawings
Studies of a Fallen Male Nude for ‘Hercules and the Horses of Diomedes’

Studies of a Fallen Male Nude for ‘Hercules and the Horses of Diomedes’ (1852)

Eugène Delacroix (French, 1798-1863)
Drawings
Studies of a Goat

Studies of a Goat (1798–1863)

Eugène Delacroix (French, 1798-1863)
Drawings
Studies of a Horse in Profile

Studies of a Horse in Profile (1823–30)

Eugène Delacroix (French, 1798-1863)
Drawings
Studies of a Lion and a Female Nude

Studies of a Lion and a Female Nude (ca. 1844)

Eugène Delacroix (French, 1798-1863)
Drawings
Studies of a Rearing Horse Attacked by a Lion and a Lion Wrestling with a Serpent

Studies of a Rearing Horse Attacked by a Lion and a Lion Wrestling with a Serpent (1830s)

Eugène Delacroix (French, 1798-1863)
Drawings
Studies of allegorical figures, and architectural sketches

Studies of allegorical figures, and architectural sketches (1833)

Eugène Delacroix (French, 1798-1863)
Drawings
Studies of Animals

Studies of Animals (1810–63)

Eugène Delacroix (French, 1798-1863)
Drawings
Studies of Arab Heads and Figures

Studies of Arab Heads and Figures (after 1832)

Eugène Delacroix (French, 1798-1863)
Drawings
Studies of Hands and Figures for the Salon du Roi, Palais Bourbon

Studies of Hands and Figures for the Salon du Roi, Palais Bourbon (1833–38)

Eugène Delacroix (French, 1798-1863)
Drawings
Studies of Heads and Figures

Studies of Heads and Figures (ca. 1822–27)

Eugène Delacroix (French, 1798-1863)
Drawings
Studies of Horses, Hands, and Feet

Studies of Horses, Hands, and Feet (ca. 1822–27)

Eugène Delacroix (French, 1798-1863)
Drawings
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