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Eugène Delacroix
Eugène Delacroix

Eugène Delacroix

French, 1798-1863
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Ferdinand Victor Eugène Delacroix was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.

In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in often violent action.

However, Delacroix was given to neither sentimentality nor bombast, and his Romanticism was that of an individualist. In the words of Baudelaire, "Delacroix was passionately in love with passion, but coldly determined to express passion as clearly as possible." Together with Ingres, Delacroix is considered one of the last old Masters of painting, and one of the few who was ever photographed.

As a painter and muralist, Delacroix's use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement. A fine lithographer, Delacroix illustrated various works of William Shakespeare, the Scottish author Walter Scott and the German author Johann Wolfgang von Goethe.

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The death of Ophelia (Act IV, scene vii)

The death of Ophelia (Act IV, scene vii) (1864)

Eugène Delacroix (French, 1798-1863)
Illustration
The ghost on the terrace (Act I, scene V

The ghost on the terrace (Act I, scene V (1864)

Eugène Delacroix (French, 1798-1863)
Illustration
The murder of Polonius (Act III, scene iv)

The murder of Polonius (Act III, scene iv) (1864)

Eugène Delacroix (French, 1798-1863)
Illustration
The Queen attempts to console Hamlet (Act I, scene ii)

The Queen attempts to console Hamlet (Act I, scene ii) (1864)

Eugène Delacroix (French, 1798-1863)
Illustration
Tiger and Lion 

Tiger and Lion  (1850)

Eugène Delacroix (French, 1798-1863)
Animals
Armored Figure on Horseback (recto)

Armored Figure on Horseback (recto) (c. 1828)

Eugène Delacroix (French, 1798-1863)
Drawings
Study of a Woman Seen from the Back

Study of a Woman Seen from the Back (1833)

Eugène Delacroix (French, 1798-1863)
Drawings
Study of a Horse

Study of a Horse (c. 1820-30)

Eugène Delacroix (French, 1798-1863)
Drawings
Charioteers (recto and verso)

Charioteers (recto and verso)

Eugène Delacroix (French, 1798-1863)
Drawings
Charioteers

Charioteers

Eugène Delacroix (French, 1798-1863)
Drawings
Portrait of a Child

Portrait of a Child

Eugène Delacroix (French, 1798-1863)
Drawings
Studies for Christopher Columbus

Studies for Christopher Columbus

Eugène Delacroix (French, 1798-1863)
Drawings
Study of Arabs

Study of Arabs

Eugène Delacroix (French, 1798-1863)
Drawings
Male Nude Posing for Figures in the ‘Frise de la Guerre’

Male Nude Posing for Figures in the ‘Frise de la Guerre’ (c. 1835)

Eugène Delacroix (French, 1798-1863)
Drawings
Arabs Of Oran

Arabs Of Oran

Eugène Delacroix (French, 1798-1863)
Drawings
la liberté guidant le peuple

la liberté guidant le peuple (circa 1830)

Eugène Delacroix (French, 1798-1863)
Drawings
A Berber seated on a low couch

A Berber seated on a low couch

Eugène Delacroix (French, 1798-1863)
Drawings
Lion Attacking a Horse with Rider (Sketch for The Tiger Hunt)

Lion Attacking a Horse with Rider (Sketch for The Tiger Hunt)

Eugène Delacroix (French, 1798-1863)
Drawings
Three Figures

Three Figures

Eugène Delacroix (French, 1798-1863)
Drawings
A Bearded Man, Standing, and a Classical Head

A Bearded Man, Standing, and a Classical Head (1815–63)

Eugène Delacroix (French, 1798-1863)
Drawings
A Lion, Full Face

A Lion, Full Face (1841)

Eugène Delacroix (French, 1798-1863)
Drawings
A Lioness and a Caricature of Ingres

A Lioness and a Caricature of Ingres (1850s)

Eugène Delacroix (French, 1798-1863)
Drawings
A Marriage Procession in Sixteenth Century Dress; a Cavalier; and a Trophy of Arms

A Marriage Procession in Sixteenth Century Dress; a Cavalier; and a Trophy of Arms (1798–1863)

Eugène Delacroix (French, 1798-1863)
Drawings
A Tomb and Studies of Windows in the Church of Valmont Abbey

A Tomb and Studies of Windows in the Church of Valmont Abbey (1829–31)

Eugène Delacroix (French, 1798-1863)
Drawings
Adoration of the Magi, after Rubens

Adoration of the Magi, after Rubens (ca. 1830)

Eugène Delacroix (French, 1798-1863)
Drawings
Arch of Morning Glories, Study for ‘A Basket of Flowers’

Arch of Morning Glories, Study for ‘A Basket of Flowers’ (1848–49)

Eugène Delacroix (French, 1798-1863)
Drawings
Battle Scene with a Prisoner Being Bound, after Raphael

Battle Scene with a Prisoner Being Bound, after Raphael (ca. 1823)

Eugène Delacroix (French, 1798-1863)
Drawings
Combat of Nude Men, after Raphael

Combat of Nude Men, after Raphael (ca. 1823)

Eugène Delacroix (French, 1798-1863)
Drawings
Courtyard with a Fountain

Courtyard with a Fountain (1832)

Eugène Delacroix (French, 1798-1863)
Drawings
Crouching Tiger

Crouching Tiger (1839)

Eugène Delacroix (French, 1798-1863)
Drawings
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