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Charles Samuel Keene
Charles Samuel Keene

Charles Samuel Keene

English, 1823-1891
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Charles Samuel Keene was an English artist and illustrator, who worked in black and white.

The son of Samuel Browne Keene, a solicitor, he was born at Hornsey. Educated at the Ipswich School until his sixteenth year, he early showed artistic leanings. Two years after the death of his father he was articled to a London solicitor, but, the occupation proving uncongenial, he was removed to the office of an architect, Mr Pukington. His spare time was now spent in drawing historical and nautical subjects in watercolor. For these trifles his mother, to whose energy and common sense he was greatly indebted, soon found a purchaser, through whom he was brought to the notice of the Whympers, the wood-engravers. This led to his being bound to them as apprentice for five years. His earliest known design is the frontispiece, signed Chas. Keene, to The Adventures of Dick Boldhero in Search of his Uncle, &c. (Darton & Co., 1842). His term of apprenticeship over, he hired as studio an attic in the block of buildings standing, up to 1900, between the Strand and Holywell Street, and was soon hard at work for the Illustrated London News. At this time he was a member of the Artists Society in Clipstone Street, afterwards removed to the Langham studios.

In December 1851 he made his first appearance in Pencil and, after nine years of steady work, was called to a seat at the famous table. It was during this period of probation that he first gave evidence of those transcendent qualities which make his work at once the joy and despair of his brother craftsmen. On the starting of Once a Week, in 1859, Keene's services were requisitioned, his most notable series in this periodical being the illustrations to "Charles Reade's A Good Fight" (afterwards rechristened "The Cloister and the Hearth") and to George Meredith's "Evan Harrington". There is a quality of conventionality in the earlier of these which completely disappears in the later.

In 1858, Keene, who was endowed with a fine voice and was an enthusiastic admirer of old-fashioned music, joined the Jermyn Band, afterwards better known as the Moray Minstrels. He was also for many years a member of Leslie's Choir, the Sacred Harmonic Society, the Catch, Glee and Canon Club, and the Bach Choir. He was also an industrious performer on the bagpipes, of which instrument he brought together a considerable collection of specimens.

About 1863 the Arts Club in Hanover Square was started, with Keene as one of the original members. In 1864 John Leech died, and Keene's work in Punch thenceforward found wider opportunities. It was about this time that the greatest of all modern artists of his class, Menzel, discovered Keene's existence, and became a subscriber to Punch solely for the sake of enjoying week by week the work of his brother craftsman. In 1872, Keene, who, though fully possessed of the humorous sense, was not within measurable distance of Leech as a jester, and whose drawings were consequently not sufficiently funny to appeal to the laughter-loving public, was fortunate enough to make the acquaintance of Joseph Crawhall, who had been in the habit for many years of jotting down any humorous incidents he might hear of or observe, illustrating them at leisure for his own amusement. These were placed unreservedly at Keene's disposal, and to their inspiration we owe at least 250 of his most successful drawings in the last twenty years of his connection with Punch. A list of more than 200 of these subjects is given at the end of The Life and Letters of Charles Keene.

In 1879 Keene removed to 239 Kings Road, Chelsea, which he occupied until his last illness, walking daily to and from his house, 112 Hammersmith Road. In 1881 a volume of his Punch drawings was published by Messrs Bradbury & Agnew, with the title Our People. In 1883, Keene, who had hitherto been a strong man, developed symptoms of dyspepsia and rheumatism. By 1889 these had increased to an alarming degree, and the last two years of his life were passed in acute suffering borne with the greatest courage. He died unmarried, after a singularly uneventful life, and his body lies in Hammersmith cemetery.

102 items

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Lord Salisbury Addressing a Meeting

Lord Salisbury Addressing a Meeting (1870-91)

Charles Samuel Keene (English, 1823-1891)
Drawings
Man at Exhibition

Man at Exhibition (1870-91)

Charles Samuel Keene (English, 1823-1891)
Drawings
Man Seated, Holding Staff in Left Hand

Man Seated, Holding Staff in Left Hand (1860-69)

Charles Samuel Keene (English, 1823-1891)
Drawings
Nil Nisi Bonum

Nil Nisi Bonum (1870-91)

Charles Samuel Keene (English, 1823-1891)
Drawings
Officer and Orderly

Officer and Orderly (1870-91)

Charles Samuel Keene (English, 1823-1891)
Drawings
Perspective

Perspective (1870-91)

Charles Samuel Keene (English, 1823-1891)
Drawings
Seated Man in Tunic

Seated Man in Tunic (1860-69)

Charles Samuel Keene (English, 1823-1891)
Drawings
Sketch of Two Standing Men and Two Portaits

Sketch of Two Standing Men and Two Portaits (1870-91)

Charles Samuel Keene (English, 1823-1891)
Drawings
Solicitor and Client

Solicitor and Client (1870-91)

Charles Samuel Keene (English, 1823-1891)
Drawings
Study for Punch, Volume 90

Study for Punch, Volume 90 (1886)

Charles Samuel Keene (English, 1823-1891)
Drawings
Study for Title Page from Punch, Volume 81

Study for Title Page from Punch, Volume 81 (1881)

Charles Samuel Keene (English, 1823-1891)
Drawings
Study for Title Page, from Punch, Volume 55

Study for Title Page, from Punch, Volume 55 (1868)

Charles Samuel Keene (English, 1823-1891)
Drawings
The Potato Harvest

The Potato Harvest (1877)

Charles Samuel Keene (English, 1823-1891)
Drawings
The Potato Harvest

The Potato Harvest (1877)

Charles Samuel Keene (English, 1823-1891)
Drawings
The Sights of Dublin

The Sights of Dublin (1877)

Charles Samuel Keene (English, 1823-1891)
Drawings
Thrift

Thrift (1870-91)

Charles Samuel Keene (English, 1823-1891)
Drawings
Upon the Mart

Upon the Mart (1870-91)

Charles Samuel Keene (English, 1823-1891)
Drawings
An Indoor Military Riding School With an Instructor Teaching Recruits to Trot

An Indoor Military Riding School With an Instructor Teaching Recruits to Trot

Charles Samuel Keene (English, 1823-1891)
Drawings
Arcades Ambe

Arcades Ambe

Charles Samuel Keene (English, 1823-1891)
Drawings
Interior of a Bus

Interior of a Bus (ca. 1890)

Charles Samuel Keene (English, 1823-1891)
Drawings
Robert

Robert

Charles Samuel Keene (English, 1823-1891)
Drawings
Sketchbook Drawing

Sketchbook Drawing (between 1846 and 1852)

Charles Samuel Keene (English, 1823-1891)
Drawings
Sketchbook Drawing

Sketchbook Drawing (between 1846 and 1852)

Charles Samuel Keene (English, 1823-1891)
Drawings
Sketchbook Drawing

Sketchbook Drawing (between 1846 and 1852)

Charles Samuel Keene (English, 1823-1891)
Drawings
Sketchbook Drawing

Sketchbook Drawing (between 1846 and 1852)

Charles Samuel Keene (English, 1823-1891)
Drawings
Sketchbook Drawing

Sketchbook Drawing (between 1846 and 1852)

Charles Samuel Keene (English, 1823-1891)
Drawings
Sketchbook Drawing

Sketchbook Drawing (between 1846 and 1852)

Charles Samuel Keene (English, 1823-1891)
Drawings
Sketchbook Drawing

Sketchbook Drawing (between 1846 and 1852)

Charles Samuel Keene (English, 1823-1891)
Drawings
Sketchbook Drawing

Sketchbook Drawing (between 1846 and 1852)

Charles Samuel Keene (English, 1823-1891)
Drawings
Sketchbook Drawing

Sketchbook Drawing (between 1846 and 1852)

Charles Samuel Keene (English, 1823-1891)
Drawings
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