![Mrs. Hugh Morgan and Her Daughter](https://mdl.artvee.com/ft/200166fg.jpg)
![Portrait of Sarah Harrop (Mrs. Bates) as a Muse](https://mdl.artvee.com/ft/200168fg.jpg)
![Woman in Turkish Dress](https://mdl.artvee.com/ft/200169fg.jpg)
![A Sybil](https://mdl.artvee.com/ft/400042mt.jpg)
![Telemachus and The Nymphs of Calypso](https://mdl.artvee.com/ft/400043mt.jpg)
![Female Allegory](https://mdl.artvee.com/ft/205061fg.jpg)
![Portrait Of Three Children](https://mdl.artvee.com/ft/205062fg.jpg)
![Portrait of Princess Franziska von Kaunitz-Rietberg](https://mdl.artvee.com/ft/206410fg.jpg)
![Portrait Of A Lady As A Vestal Virgin](https://mdl.artvee.com/ft/207040fg.jpg)
![Possibly Franciska Krasinska, Duchess of Courland](https://mdl.artvee.com/ft/208642fg.jpg)
![Portrait of Eleanor, Countess of Lauderdale](https://mdl.artvee.com/ft/209569fg.jpg)
![Theseus and Ariadne](https://mdl.artvee.com/ft/402020mt.jpg)
![Allegory of Conjugal Peace](https://mdl.artvee.com/ft/402021mt.jpg)
![Josef Johann Graf Fries](https://mdl.artvee.com/ft/219841fg.jpg)
![Miranda und Ferdinand](https://mdl.artvee.com/ft/403510mt.jpg)
![The Sorrow of Telemachus](https://mdl.artvee.com/ft/403511mt.jpg)
![Monsignor Giuseppe Spina (1756–1828)](https://mdl.artvee.com/ft/224478fg.jpg)
![Portrait of Baroness Von Bauer](https://mdl.artvee.com/ft/225850fg.jpg)
![Portrait of her husband, the painter Antonio Zucchi](https://mdl.artvee.com/ft/234073fg.jpg)
![Cimon and Iphigenia](https://mdl.artvee.com/ft/404832mt.jpg)
Maria Anna Angelika Kauffmann, usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffmann was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of the two female founding members of the Royal Academy in London in 1768.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting was considered the most elite and lucrative category in academic painting during this time period and, under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote it to a native audience more interested in commissioning and buying portraits and landscapes. Despite the popularity that Kauffman enjoyed in British society, and her success there as an artist, she was disappointed by the relative apathy of the British towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.