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Adriaen van de Venne
Adriaen van de Venne

Adriaen van de Venne

Dutch, 1589-1662
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Adriaen Pietersz van de Venne (1589 – 12 November 1662), was a versatile Dutch Golden Age painter of allegories, genre subjects and portraits, as well as a miniaturist, book-illustrator and designer of political satires and a versifier.

Van de Venne was born in Delft. According to Houbraken he learned Latin in Leiden. He learned to paint from the master goldsmith and painter Simon de Valk, and afterwards learned engraving from Jeronimus van Diest, a good painter of grisailles. He then moved to Middelburg in 1614 where he was influenced by Jan Brueghel the Elder and Pieter Brueghel the Elder. His political painting Fishing for Souls, 1614, is an ironic commentary on the Catholic and Protestant troubles of the Eighty Years War that split the border between the Northern from the Southern Netherlands along the Schelde river, very close to his home in Middleburg. When he painted this picture, the Twelve Years' Truce was in effect since 1609. The influence of Jan Brueghel the Elder is particularly evident in this allegory of religious fanaticism.

From 1620 until his death van de Venne made many grisailles and engravings of genre subjects, featuring peasants, beggars, thieves and fools as illustrations of current proverbs and sayings, mostly by Jacob Cats. This work made him famous during his lifetime, and remained popular throughout the 18th century after his death.

Van de Venne also worked as a book illustrator and print designer. Van de Venne moved to The Hague and joined the Guild of Saint Luke in 1625, taking the position of dean in 1637. He was a founding member of Confrerie Pictura, a group bent on improving the independent status and social position of the artist in Dutch society by encouraging a more academic approach to the arts. He died in The Hague.

14 items

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De proeflezer Cornelis Kiel aan het werk

De proeflezer Cornelis Kiel aan het werk (1600-1651)

Adriaen van de Venne (Dutch, 1589-1662)
Figurative
Woman and a jester

Woman and a jester

Adriaen van de Venne (Dutch, 1589-1662)
Figurative
Merry Company in an Arbor

Merry Company in an Arbor (1615)

Adriaen van de Venne (Dutch, 1589-1662)
Landscape
A Ball Game Before a Country Palace

A Ball Game Before a Country Palace (about 1614)

Adriaen van de Venne (Dutch, 1589-1662)
Landscape
Moralizing Scene with an Old Woman and a Man

Moralizing Scene with an Old Woman and a Man (1631)

Adriaen van de Venne (Dutch, 1589-1662)
Drawings
Abdijplein of Middelburg

Abdijplein of Middelburg (17th century)

Adriaen van de Venne (Dutch, 1589-1662)
Drawings
To Each His Own Pastime, ‘Elck Sijn Tijt-Verdrijff’

To Each His Own Pastime, ‘Elck Sijn Tijt-Verdrijff’ (ca. 1632)

Adriaen van de Venne (Dutch, 1589-1662)
Drawings
Study for ‘The Man with Glasses Speaks’

Study for ‘The Man with Glasses Speaks’ (ca. 1654)

Adriaen van de Venne (Dutch, 1589-1662)
Drawings
Frederick V Arriving in Bohemia

Frederick V Arriving in Bohemia (1613-1618)

Adriaen van de Venne (Dutch, 1589-1662)
Drawings
Proverb illustration – “Not everyone can get the fruit”

Proverb illustration – “Not everyone can get the fruit”

Adriaen van de Venne (Dutch, 1589-1662)
Drawings
“Enough is enough” – proverb illustation

“Enough is enough” – proverb illustation

Adriaen van de Venne (Dutch, 1589-1662)
Drawings
Hoe Drolliger, Hoe Beter – en brunaille

Hoe Drolliger, Hoe Beter – en brunaille

Adriaen van de Venne (Dutch, 1589-1662)
Drawings
Good laugh

Good laugh (1604-1662)

Adriaen van de Venne (Dutch, 1589-1662)
Drawings
Dicing, Drabbing and Drinking Bring Man to Destruction

Dicing, Drabbing and Drinking Bring Man to Destruction (1604-1662)

Adriaen van de Venne (Dutch, 1589-1662)
Drawings

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