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Ivan Konstantinovich Aivazovsky - The Survivor

The Survivor

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
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License: All files can be freely used for personal and commercial projects with no attribution required
Why is this image in the public domain?
The Artist died in 1900 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Ivan Konstantinovich Aivazovsky
About the Artist

Ivan Konstantinovich Aivazovsky was a Russian painter of late Romanticism who is considered one of the greatest masters of marine art. Baptized as Hovhannes Aivazian, he was born into an Armenian family in the Black Sea port of Feodosia in Crimea and was mostly based there.

Following his education at the Imperial Academy of Arts in Saint Petersburg, Aivazovsky traveled to Europe and lived briefly in Italy in the early 1840s. He then returned to Russia and was appointed the main painter of the Russian Navy. Aivazovsky had close ties with the military and political elite of the Russian Empire and often attended military maneuvers. He was sponsored by the state and was well-regarded during his lifetime. The saying "worthy of Aivazovsky's brush", popularized by Anton Chekhov, was used in Russia for describing something lovely. He remains highly popular in Russia in the 21st century.

One of the most prominent Russian artists of his time, Aivazovsky was also popular outside Russian Empire. He held numerous solo exhibitions in Europe and the United States. During his almost 60-year career, he created around 6,000 paintings, making him one of the most prolific artists of his time. The vast majority of his works are seascapes, but he often depicted battle scenes, Armenian themes, and portraiture.

More Artworks by Ivan Konstantinovich Aivazovsky (57 Artworks)

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A View of the Bosporus with the Hagia Sophia and the Maiden’s Tower in the Moonlight (1884)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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Sea (1897)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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Shepherds with a flock of sheep (1872)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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Ukrainian Landscape at Night (1870)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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The Disembarkation of Christopher Columbus with Companions on Three Launches, on Friday 12th October 1492, At Sunrise, on an American Island Named San Salvador by Him on the Very Same Day (1892)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Figurative
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View of a bay with numerous sailing-ships

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Drawings
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The storm at Cape Aya (1899)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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Seascape

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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In the roads, Evening (1867)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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From Mleta to Gudauri (1868)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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Harbor with Ships (1858)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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Night at Gurzof (1891)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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Seascape (1878)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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French Ships Departing the Black Sea (1871)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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View Of Constantinople And The Bosphorus (1856)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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Ship At Sea ( 1895)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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View Of  Mount Vesuvius (1878)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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View Of The Ayu Dag (1869)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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The Lifting Storm (1880)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape
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Sailors Coming Ashore (1897)

Ivan Konstantinovich Aivazovsky (Russian, 1817-1900)
Landscape

Farm near Duivendrecht (c. 1916)

Piet Mondrian (Dutch, 1872 - 1944)
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Standard, JPG, Size:

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Max Size, JPG, Size:

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License: All files can be freely used for personal and commercial projects with no attribution required.
Why is this image in the public domain?
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