Artvee
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Religion
    • Mythology
    • Posters
    • Drawings
    • Illustration
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Books
  • Artists
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro
Login
Artvee
Menu
James Ward - Sir Charles Blunt at the Death of the Boar

Sir Charles Blunt at the Death of the Boar

James Ward (English, 1769-1859)
Facebook Twitter Pinterest
Favourite
Collect

Standard, 1437 x 1800px JPG, Size: 2.05 MB

Download

Max Size, 3270 x 4096px JPG, Size: 9.91 MB

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1859 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
James Ward

James Ward was a British painter, particularly of animals, and an engraver.

Born in London, and younger brother of William Ward the engraver, James Ward was influenced by many people, but his career is conventionally divided into two periods: until 1803, his single greatest influence was his brother in law George Morland; from that time, it was Rubens. From 1810 or so, Ward started to paint horses within landscapes; slightly later, he turned to very large-scale landscapes, of which Gordale Scar (Tate, London), completed in 1814 or 1815 and depicting Gordale Scar (Yorkshire) as an example of the sublime, is considered his masterpiece and a masterpiece of English Romantic painting.

Ward devoted much of the period 1815-21 to the painting of a gigantic work titled Allegory of Waterloo (now lost); this neither was much praised nor brought in the revenue Ward had hoped for. The experience may have embittered him, and the deaths of his first wife and a daughter were among other tragedies. Like many artists of the time, Ward sought commissions from wealthy gentry of their favorite horses, their favorite hunting dogs or their children.

One such family that Ward painted and drew repeatedly, and whom he counted among his friends, were the Levett family of Wynchnor Park, Staffordshire. One of Ward's best-known portraits was his Theophilus Levett hunting at Wychnor, Staffordshire of 1817. Another was Ward's 1811 painting entitled The Reverend Thomas Levett and his favourite dogs, cock-shooting. Ward also painted a group portrait of three Levett children — John, Theophilus and Frances Levett.

More Artworks by James Ward (View all 201 Artworks)

Man Struggling with a Boa Constrictor, Study for ‘The Liboya Serpent Seizing His Prey’

Man Struggling with a Boa Constrictor, Study for ‘The Liboya Serpent Seizing His Prey’ (ca. 1803)

James Ward (English, 1769-1859)
Landscape with Cottages and Figures

Landscape with Cottages and Figures

James Ward (English, 1769-1859)
The Artist’s Son, Henry, Asleep

The Artist’s Son, Henry, Asleep

James Ward (English, 1769-1859)
A Study for the Central Character in Ward’s Painting ‘The Deer Stealer’

A Study for the Central Character in Ward’s Painting ‘The Deer Stealer’ (1820)

James Ward (English, 1769-1859)
The Wood Cutter

The Wood Cutter

James Ward (English, 1769-1859)
The Reverend Thomas Levett and favourite dogs, cock-shooting

The Reverend Thomas Levett and favourite dogs, cock-shooting (1811)

James Ward (English, 1769-1859)
Snowdon, an Approaching Storm

Snowdon, an Approaching Storm (1853)

James Ward (English, 1769-1859)
Rough-Coated Collie

Rough-Coated Collie (1809)

James Ward (English, 1769-1859)
Mr. James Derby Playing the Violin

Mr. James Derby Playing the Violin

James Ward (English, 1769-1859)
Powis Castle

Powis Castle

James Ward (English, 1769-1859)
Arctic Dog, Facing Right

Arctic Dog, Facing Right

James Ward (English, 1769-1859)
A Mill

A Mill

James Ward (English, 1769-1859)
A Thatched Shelter Suspended from a Tree

A Thatched Shelter Suspended from a Tree

James Ward (English, 1769-1859)
A Thatched Cottage and Trees at the Turn of a Country Road

A Thatched Cottage and Trees at the Turn of a Country Road

James Ward (English, 1769-1859)
Lea Castle from above the Woods

Lea Castle from above the Woods (1814)

James Ward (English, 1769-1859)
Load MoreLoading...
View all 201 Artworks

0 Artworks
Follow
Facebook Twitter Pinterest
Favourite
Collect

Standard, JPG, Size:

Download

Max Size, JPG, Size:

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
  • Terms
  • Privacy
  • Contact us
Artvee.com 2024 All Rights Reserved
We use cookies to improve your experience on our website. By browsing this website, you agree to our use of cookies.
More info Accept
  • Sign in
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Religion
    • Mythology
    • Posters
    • Drawings
    • Illustration
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Artists
  • Books
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro