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Jean-Hippolyte Flandrin - Esquisse pour l’église Saint-Vincent-de-Paul; Les trois Vertus théologales

Esquisse pour l’église Saint-Vincent-de-Paul; Les trois Vertus théologales (1848)

Jean-Hippolyte Flandrin (French, 1809 – 1864)
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License: All files can be freely used for personal and commercial projects with no attribution required
Why is this image in the public domain?
The Artist died in 1864 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Jean-Hippolyte Flandrin
About the Artist

Jean-Hippolyte Flandrin was a 19th-century French painter. His celebrated 1836 work Jeune Homme Nu Assis au Bord de la Mer ("Young Male Nude Seated beside the Sea") is in the Louvre.

From an early age, Flandrin showed interest in the arts and a career as a painter. However, his parents pressured him to become a businessman, and having very little training, he was forced to instead become a miniature painter.

Hippolyte was the second of three sons, all of whom were painters in some aspect. Augusto, his older brother, spent most of his life as a professor at Lyon and later died there. Paul, his younger brother, was a painter of portraits and religious imagery.

Hippolyte and Paul spent some time at Lyon, saving to leave for Paris in 1829 and study under Louis Hersent. Eventually, they settled in the studio of Jean Auguste Dominique Ingres, who became not only their instructor but their friend for life. At first, Hippolyte struggled as a poor artist. However, in 1832, he won the Prix de Rome for his painting Recognition of Theseus by his Father. This prestigious art scholarship meant that he was no longer limited by his poverty.

The Prix de Rome allowed him to study for five years in Rome. While there, he created several paintings, increasing his celebrity both in France and Italy. His painting St. Clair Healing the Blind was created for the cathedral of Nantes, and at the exhibition of 1855 years later, it also brought him a medal of the first class.

More Artwork by Jean-Hippolyte Flandrin (View all 34 Artworks)

The Sacrifice of Isaac (1860)

Jean-Hippolyte Flandrin (French, 1809 – 1864)

Figure Study after Andrea di Bonaiuto, S. Maria Novella, Florence (1835–38)

Jean-Hippolyte Flandrin (French, 1809 – 1864)

Miracle of St. Sylvester; the Raising of Two Pagan Priests, after Maso di Banco, S. Croce, Florence (1835–38)

Jean-Hippolyte Flandrin (French, 1809 – 1864)

Two Standing Figures (Study for the Left Section of The Mission of the Apostles) (1860)

Jean-Hippolyte Flandrin (French, 1809 – 1864)

la procession des Saintes Femmes (1849-1853)

Jean-Hippolyte Flandrin (French, 1809 – 1864)

Le baptême du Christ (1858)

Jean-Hippolyte Flandrin (French, 1809 – 1864)

A Study Of The Head Of Saint John The Evangelist In Profile

Jean-Hippolyte Flandrin (French, 1809 – 1864)

Samuel (1858)

Jean-Hippolyte Flandrin (French, 1809 – 1864)

More Artwork by Jean-Hippolyte Flandrin (View all 34 Artworks)

The Sacrifice of Isaac (1860)

Jean-Hippolyte Flandrin (French, 1809 – 1864)

Figure Study after Andrea di Bonaiuto, S. Maria Novella, Florence (1835–38)

Jean-Hippolyte Flandrin (French, 1809 – 1864)

Miracle of St. Sylvester; the Raising of Two Pagan Priests, after Maso di Banco, S. Croce, Florence (1835–38)

Jean-Hippolyte Flandrin (French, 1809 – 1864)

Two Standing Figures (Study for the Left Section of The Mission of the Apostles) (1860)

Jean-Hippolyte Flandrin (French, 1809 – 1864)

la procession des Saintes Femmes (1849-1853)

Jean-Hippolyte Flandrin (French, 1809 – 1864)

Le baptême du Christ (1858)

Jean-Hippolyte Flandrin (French, 1809 – 1864)
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